Partitions de Harmonie chez Arrangers Publishing Company

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Larry Kerchner crée un moment de sérénité et de beauté dans ce charmant arrangement. Particulièrement intéressant pour les jeunes orchestres, cet arrangement ne comporte que deux parties de clarinette...

Comprend : Nous sommes les trois rois d'Orient - Ukranian Bell Carol

La sérénité paisible est la meilleure description de ce charmant arrangement de Tom Wallace.

L'un des meilleurs numéros de Jay pour les jeunes groupes. Il s'agit d'une trilogie rapide-lente-rapide de trois airs traditionnels bien connus : Bonaparte's Retreat, Simple Gifts et The Eighth of Jan...

Cet arrangement ingénieux et attrayant de Jeff Simmons fusionne "The First Noel" et le "Canon en ré" de Pachelbel.

On l'entend chaque année et tout le monde aime ce tube de Paul McCartney. En plus d'être très facile, l'arrangement de Jay est un très bon morceau pédagogique.

Cette œuvre chorale lyrique et réconfortante de John Rutter est arrangée de manière experte pour orchestre de concert par Jay Dawson.

Un groove cool et branché propulse le traitement jazz-waltz créatif de cette merveille de Noël.

Une mise en scène contemporaine du traditionnel British Carol produit un moment de fête magique avec des motifs rythmiques fugaces combinés à de légères touches de jazz.

Larry Kerchner crée un véritable plaisir de Noël dans cette version bluesy du classique de Noël rendu célèbre par Mariah Carey et d'innombrables autres.