Partitions de Compositrices : Découvrez un répertoire d'exception

Primavera is a short virtuosic work for Flute and Coloratura Soprano. It was written in 1971, and premiered by Dorothy Dorow at her concert at the Zagreb Festival of Contemporary Music. It takes its l...

Chamber Concerto No 1 was written in the winter of 1961-62. It is scored for oboe, clarinet, bassoon, horn, trumpet, trombone, violin, viola and cello. It is dedicated to Robin and Margaret Orr and wa...

This piece provides a compositional challenge to find a balance between 2 wind instruments and piano, the general structure of the piece is evolved so that different balances between the 3 instruments...

Originally composed for Flute and Digital Delay, Narcissus was first performed on 15th January 1988 at the Purcell Room, London by Janet Larsson.

Score and parts for Thea Musgrave's Pierrot, arranged for Violin, Clarinet and Piano. Duration 17 minutes.

1. EOS: The Goddess of the Dawn, who travelled on the winds and sprinkled down dew upon the earth2. PAN: The God of the countryside, of flocks, shepherds and animals, a famous player of the syrinx, or...

For Clarinet solo, with wind quartet and string quartet. Score Only First performed by Michael Collins, Clarinet, London Winds and the Endellion String Quartet on 27th January 2011 at the Wigmore Hall...

This is the Full Score and Parts for The Voices Of Our Ancestors by Thea Musgrave. This work is scored for a chorus with soloists (Soprano, Mezzo-Soprano, Tenor and Baritone), Brass Quintet and Organ....

Commissioned by the Buck Hill-Skytop Music Festival, 2010, and first performed on August 6th 2010 at the Skytop Lodge, Skytop, PA, by Dan Snyder (tenor) and Annabelle Taubl (harp). This work was writ...

Canta, Canta! is a slow and expressive piece for Clarinet, Cello and Piano by Thea Musgrave. This short song is taken from Cantata for a Summer's Day, written in 1954 while the composer was a student...

For Chamber Orchestra (Flute, Oboe, Cor Anglais, Basson, Horn in F, Trumpet in C, Strings: [5. 4. 3. 2. 1]) Composer's Programme Note: Points of View is a work about the different musical elements, wh...

Cantilena was commissioned by the London Chamber Music Society to celebrate their move to King's Place in October 2008. First performed by Nicholas Daniel and members of the Chilingirian Quartet at K...

Cantilena was commissioned by the London Chamber Music Society to celebrate their move to King's Place in October 2008. First performed by Nicholas Daniel and members of the Chilingirian Quartet at K...

Flute/Viola/Harp Sunrise was commissioned by Backshore Artists Project Inc. on the occasion of Carol Wincenc(AEs 40th anniversary on the concert stage and underwritten by a generous grant from Linda a...

A work for Soprano, Woodwind, 2 Horns and Strings. Duration: circa 15 minutes Programme Note: ''This work was commissioned as a possible companion piece to Mozart's Exsultate Jubilate and the decisio...

The composer has developed musical processes through the use of computer programming methods and this approach has allowed a broadening of vocabulary of the colour or tone of string instruments and th...

Kaija Saariaho is the most successful of contemporary Finnish composers, having won a number of international compositions, and has become best known for her works which exploit electronics. The inspi...

This 1992 work by the Finnish spectral composer Kaija Saariaho is an intense and complex piece for solo Cello and electronics. The music is derived from preliminary recordings made by the composer wit...

The score for the original version of Miranda's Lament. Composed in 1997, the piece is part of 'The Tempest Songbook' and was dedicated as a birthday present for Paavo Heininen. The set of parts for t...

The set of parts for the original version of Miranda's Lament. Composed in 1997, the piece is part of 'The Tempest Songbook' and was dedicated as a birthday present for Paavo Heininen. The score for t...

Score and parts for Saariaho's Cendres, arranged for Alto Flute, Cello and Piano. Quoting Saariaho: While writing Cendres, I was mainly concentrating on the interpretation of particular musical ideas...