Partitions de Compositrices : Découvrez un répertoire d'exception

In this composition Barbara Heller uses the song Lalai created in Tehran in 1973. It is a song of resistance against the Shah regime and is about a mother who sings a lullaby to her child and tells th...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...

Ecrire de nouvelles pièces pour les cours de la musique tient à coeur de la compositrice Barbara Heller. Ce cycle a été créé en collaboration avec deux professeurs de violoncelle. Il consiste en 7 piè...

Barbara Heller's duet 'Herbstmusik' [Autumnal Music] for cello and piano is a short piece of 5-6 minutes' duration which is as vibrant and colourful as the season itself and a welcome addition to the...

The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on th...

For solo cello. Quoting Saariaho: The title evokes the two gestures which are at the origin of the work: on the one hand the pattern which I call 'spinning tops' turning around on the one spot or unde...

This work was commissioned by Rudolf Steiner Foundation. It is dedicated to Anssi Karttunen, who gave the first performance in Helsinki on 10th September 2000. Sept papillons was the first piece Saari...

Scored for solo Cello, Dreaming is Kaija Saariaho's contribution to the set of thirty-two works by various composers written for the collection Mystery Variations in 2011. The piece is preceded by a...

The theme of this work is 'man & machine', as commissioned by Michael Nicolas. The theme is represented in that the Cellist becomes both in the piece - man & machine - where man indicates performing e...

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Salat Babilya was inspired by music from Iraq, in particular the beautiful sonorities of the oud, a variety of Middle Eastern lute dating back to antiquity. An oud-like resonance is evoked without the...

Stir, for solo cello without bow, takes it title from the sound made while slowly making circles on the body of the cello with the fingertips, and to the mixing of non-bowed percussive and melodic ele...

Friction, Pressure, Impact comprises three movements, each of which focuses on the question of musical metabolism in a different way. The first movement, Friction, has a moderately fast metabolism, wo...