Partitions de Compositrices : Découvrez un répertoire d'exception

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

Keeping Time for Joy de Marie-Claire Saindon regorge de la joie contenue dans le texte de l'écrivaine contemporaine Sarah Windle. Des mélodies scalaires de type folklorique, imprégnées d'élan grâce à...

Dédiée aux "sœurs du monde entier", cette œuvre en trois mouvements combine un certain nombre de thèmes à travers la poésie de Sara Teasdale. Le premier mouvement, "Sister of the Sky", se concentre su...

This three-movement work combines a number of themes through the poetry of Sara Teasdale. The first movement, 'Sister of the Sky', focuses on the morning in early spring. The central movement, 'Fearle...

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

This a cappella feature for treble or male choirs is an outstanding choice for any time of year. Strong individual voice lines add up to an exciting, dynamic, and vibrant concert feature. ABA format w...

Here's a modern day madrigal for SSA choirs that may be performed a cappella or with the lilting 'in one' accompaniment. Program this joyful song for holiday concerts or any time you want to celebrate...

Here's a marvelous music history lesson! This clever a cappella choral features snippets of well-known madrigal texts and music, mixed in with an original contrapuntal theme.

Three-part women's and men's ensembles will excel with this majestic a cappella concert work. Joyful melodic motives are passed from voice to voice, and percussive handclaps bridge varied sections of...

Three-part women's and men's ensembles will excel with this majestic a cappella concert work. Joyful melodic motives are passed from voice to voice, and percussive handclaps bridge varied sections of...

An initial descending line opens up into lush four-part harmony in this contemporary a cappella concert work. Meditative and earnest, Sally Albrecht's prayerful text setting will inspire and uplift yo...

An initial descending line opens up into lush four-part harmony in this contemporary a cappella concert work. Meditative and earnest, Sally Albrecht's prayerful text setting will inspire and uplift yo...

A mixolydian melody becomes the foundation for this stately three-part canon with madrigal style counterpoint. Festive flute and hand drum parts add a Renaissance music touch to a piece with only 12 b...

A mixolydian melody becomes the foundation for this stately three-part canon with madrigal style counterpoint. Festive flute and hand drum parts add a Renaissance music touch to a piece with only 12 b...

A syncopated opening riff in the lower voices lays the groundwork for this quintessential a cappella spiritual. When the other voices join, we begin a journey of texture, harmonic development, and for...

Écrite par la première compositrice mexicaine connue, María Grever, cette vals Mexicano (valse mexicaine) est une charmante œuvre a cappella pour des chœurs de qualité. Cette œuvre texturée offre des...

Vertonung von pastoralen Versen des russischen Dichters Jakow Petrowitsch Polonski, die die Komponisten in den letzten beiden Dekaden ihres Lebens nach ihrem Rückzug aus dem musikalischen Leben im Zug...

Ce motet pour voix supérieures, court mais magnifiquement conçu, a été composé pour les chœurs de filles de Godolphin & Latymer School, alors que Kerensa Briggs y était compositrice en résidence en 20...

Based on a text by Tennessee Reed, the 11 year-old daughter of author Ishmael Reed. Though originally scored for four female voices, Three Heavens and Hells was envisioned as a work for children's cho...

J'ai écrit cette berceuse sur un poème d’Isabelle Daccord. C’était en 2008, la petite Mila, nièce d’Isabelle, venait de naître et sa tante souhaitait lui écrire quelque chose. Le 'Ch...

A beautiful new tune to the Catholic prayer to Virgin Mary. The prayer begins with the angel Gabriel's greeting to Maria 'Ave Maria, gratia plena, Dominus Tecum!' which means' Hill you, Mary, full of...

These were commissioned by Pamela Cook and Cantamus and were first performed in 1972. They are for unnacompanied SSA voices.