Partitions de Compositrices : Découvrez un répertoire d'exception

Dieses kurze Stück wird Arbeit erfordern, um eine lohnende Aufführung zu gewährleisten. Innerhalb seiner 32 Takte deckt es ein breites Spektrum an Dynamik ab, und seine harmonische Sprache bewegt sich...

Two of Clara Schumann's most renowned vocal pieces, Sie liebten sich beide and Warum willst du and're fragen, are arranged here for SSA or 3-Part Treble voices. A nice way to build in the German langu...

Bring lightness and inspiring confidence to your choral repertoire with "Be like the bird" by John Rutter, published by Oxford University Press. This enchanting piece for two-part upper voices (SA) an...

Based on poetry by Sara Teasdale, this work, in the composer's words, is 'a passionate roller-coaster ride, surprising and exhilarating, and over before one knows it.' This piece will be a striking sh...

Rarely are women's choirs given such strong and heroic songs to put their mark on. These offer a wonderful opportunity for your women's choirs to show their dynamic and emotional ranges.

Glenda Franklin captures the essence of the spiritual with this passionate piece for SSA voicing, with lyrics like 'Goin' up to heaven to receive her angel voice.' 2:10

Delightfully delicate, A Merry Autumn should be sung in a lilting meter of two. The text reminds us of the beauty of the fall season with its kaleidoscope of colors. Suitable for festival, concert and...

The strong, driving rhythms and dynamic contrasts in this setting of a familiar Latin text will keep audience and chorus engaged right up to the final vigorous 'Hallelujah!' Its dynamic writing will m...

Ruth Schram captures the beauty of a sunset using various hues and word painting in this lush setting for treble ensembles. Sunset presents a bounty of teaching opportunities to reinforce syllabic/wor...

A powerful musical monument and a timeless anthem of the women's movement: with 'The March of the Women', British composer Ethel Smyth created a masterpiece full of courage, determination, and histori...

Evensong et son partenaire "Shift" mettent en scène des textes de Mary Virginia Micka. Les deux œuvres ont été commandées et créées en 2007 par WomanVoice - un concert de musique pour voix de femmes p...

Shift et l'œuvre qui l'accompagne, "Evensong", sont des textes de Mary Virginia Micka. Les deux œuvres ont été commandées et créées en 2007 par WomanVoice - un concert de musique pour voix de femmes p...

With "Panis Angelicus Reimagined", Oxford University Press presents an exceptionally atmospheric choral setting of a text by Timothy Dudley-Smith. The work unfolds as a charming lullaby, captivating b...

Earlene Rentz ' Gaudeamus Hodie for three part Mixed Choir and Keyboard.

The score calls for a boy Soprano for the role of the Prince, a baritone for the Pilot, eight other solo roles and a Chorus of twenty children to sing the parts of stars and birds. It is scored for Or...

Die Komposition 'Musik zu Kafka' für Schlagwerk solo geht zurück auf ein größer angelegtes Werk für Singstimme und fünf Instrumentalisten, das 1990 unter dem Titel 'Frühe Kafka-Texte' entstand (erschi...

sehr schwer, wechselt zwischen Horn in E und Horn in F, die Komponistin benutzt den kompletten Tonumfang des Horns (von sehr tief bis sehr hoch),manche Stellen "con sordino"und auch kurze gestopfte St...

Ran was asked for a new work for Mimi Stillman's Dolce Suono Ensemble and their Mahler/Schoenberg 2012 concert series. Creating a piece that would be at once an homage and a companion piece to Schoenb...

Arranged by Meng Hao-Ran. Mixed chorus. For SSAATTBB Chorus. Premiered by the Ithaca College Choir on November 15, 1997 under the direction of Prof. Lawrence Doebler. Choral. Piano/Vocal Score. Compos...

The opening Chorale section of this very appealling beginning band piece introduces the theme that is then used in the Canon that follows. Skillfully designed to pass the melody to every section, this...

Here is an outstanding selection for very young bands written in an uplifting festive style. There is a nice variety in scoring even for this easy level, and very effective use of dynamics. Easy and f...

Spiders? Nope! brings people's fears of the eight-legged arachnid to life with its creepy, crawly rhythm, hair-raising dissonances, and staccato movement. Trumpet's highest note is D. Clarinets do not...

American Composer's Forum - BandQuest Series - Grade 3 Rhythm Stand pays tribute to the constant presence of rhythm in our lives: from the pulse of a heartbeat to the rhythmic sounds of the world arou...