Partitions de Compositrices pour Violon : Œuvres et méthodes

Dans ce deuxième volume de favoris de mariage, nous sommes fiers d'offrir des sélections pour élargir votre répertoire et rehausser ces occasions de célébration. Les violonistes doivent être à l'aise...

Cette Romance (originellement en mi) peut être accompagnée au piano ou à l'orgue et utilise toute la tessiture de l'instrument. Netzel met l'accent sur une sonorité riche et lyrique à travers de longu...

Traceries by Sadie Harrison, Published 1997. First performance: Peter Sheppard Skaerved and Aaron Storr, Purcell Room, London, May 1997. Recorded by Premier Records MSV CD92053. 8'; for violin and pia...

Arcosolia by Sadie Harrison. Published 1999. Finalist in UK and Eire Composition Platform 2000. First performance: Adam Summerhayes and Alan Brown, Purcell Room, 12th December 2000. Recorded on Metier...

Published 1979. First performance: Perry Hart, Redcliffe Concert, 21st January 1981.

Published 1967. First performance: Peter Carter and Sally Mays, Park Lane Group Concert, Wigmore Hall, 8th April 1968.

First performance: Peter Sheppard Skaerved, Glyptothek Museum, Munich, 6th December 2002. Recorded on Metier Records MSV CD 92084.

First performance: Peter Sheppard Skaerved and Phillipa Mo, Leighton House, London, May 2004.

Seven Lithuanian Folk Songs for solo violin.

Five pieces for violin and piano

For Solo Violin. Published in 1985. First performed by Hisako Tokue, New Music Series, Guildhall School of Music. Score.

For Solo Violin. Published in 2006. First performed by Irvine Arditti. Score.

Gallery (Room 1) is a fantastic set of miniatures beautifully composed by Sadie Harrison. Sadie was inspired by Peter Sheppard Skaerved's exceptional artwork. The pieces have been written so they can...

Aurea Luce was written at the request of Madeleine Mitchell and Geoff Poole by way ofcelebrating my 50th birthday at a concert in my home town of Shaftesbury, Dorset. The work is based on a plainsong...

The twenty-five pieces in this collection date back to 18th and 19th century Scotland. Included are song and fiddle airs, strathspeys, reels, jigs, a hornpipe and the sword dance. The pieces are arran...

For unaccompanied violinThe work is in one movement and is a meditation on stone and light that begins and ends in stillness. The inner sections contain references to the final Kyrie of an 11th-centur...

For Violin and Piano