Partitions de compositrices pour ensemble mixte : Richesse sonore

Commissioned by Wigmore Hall, with the support of Andre Hoffmann, president of the Foundation Hoffmann, a Swiss grant-making foundation. First performance on 29th March 2016 at the Wigmore Hall, Londo...

Commissioned by Wigmore Hall, with the support of Andre Hoffmann, president of the Foundation Hoffmann, a Swiss grant-making foundation. First performance on 29th March 2016 at the Wigmore Hall, Londo...

The Sweet Primroses is a work by Judith Weir for Mezzo-Soprano Voice and Viola. Commissioned by the University of Birmingham for the CrossCurrents Festival 2016, the first performance was in February...

A Few Words Of Thanks is a work by Judith Weir for Flute, Oboe, Clarinet, Viola and Cello. This is the Score/Parts, and a full performance lasts around 1. 5 minutes.

Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hea...

Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hea...

A setting of four poems by Wallace Stevens, Kathleen Jamie, Norman MacCaig and Emily Dickinson for soprano, cello and piano. commissioned by Kings Place, and first performed there on 24th October 2019...

A work for soprano, flute, guitar and pre-recorded electronics. The first performance was given on 5 August 2010 at the Skálholt Summer Concerts, Iceland, by Tiffany DuMouchelle (soprano), Berglind Ma...

Changing Light was written for Edna Michell's Compassion project. In the composition the composer follows the idea of a dialogue, suggested by the text from Rabbi Jules Harlow. The intimate nature and...

This arrangement of Prospero's Vision, for tenor and string quartet, was first performed in August 2019 during the Creative Dialogue Workshop at the SIbelius Academy, Helsinki, Finland. The text is fr...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

Commissioned by Fenella Humphreys with funding from The Marchus Trust First performed by Fenella Humphreys (violin), Ben Griffiths (double bass), Murray Grainger (accordion) and George Barton (percuss...

For mezzo-soprano voice and bass clarinet. How to Win an Election was commissioned by Ian Mitchell and premiered by Alison Wells and Ian Mitchell at St. Mary Magdalen Church, Oxford on 22 January 2018...

Scenes from Autistic Bedtimes (2012-13) is a ten minute work scored for treble, soprano, vibraphone, cello and piano, setting text by Stuart Murray

This piece for wordless voice and small ensemble was composed as part of Ellen Reid’s Soundwalk, a site-specific work created for urban parks around the world. The title comes from Christian Cooper, a...

Écrite pour violoncelle, vibraphone et cymbales, cette œuvre d'Ellen Reid a été commandée en 2014 par Wild Up. Durée : environ 8 minutes.

Tiresias, the Blind Prophet of Thebes, is on a walk, and along comes Orlando, the title character from Virginia Woolf's novel. Orlando, who is of noble birth, has only recently been changed - inexplic...

Tiresias, the Blind Prophet of Thebes, is on a walk, and along comes Orlando, the title character from Virginia Woolf's novel. Orlando, who is of noble birth, has only recently been changed - inexplic...

Changing Light a été écrit pour le projet Compassion d'Edna Michell. La composition suit l'idée d'un dialogue, suggéré par le texte choisi. La nature intime et l'univers sonore fragile du duo reflèten...

Cette courte pièce de 3 minutes a été composée à l'origine pour le 40e anniversaire du violoncelliste et bon ami de Saariaho, Anssi Karttunen. Cette version remplace la harpe dans sa nouvelle orchestr...

Cette courte chanson pour mezzo-soprano, violoncelle et piano s'inspire des pratiques médicales médiévales. Il reprend un texte trouvé dans le Lacnunga, un recueil de textes médicaux et de prières ang...

Die Einleitung meines Klaviertrios fängt harmlos an. Fast zu harmlos... Gegen Ende entpuppt sich diese Harmlosigkeit als der nackte Wahnsinn. Ein musikalisches Wortgefecht der einzelnen Stimmen. Ein r...