Partitions de Compositrices pour Chœur mixte : Un répertoire varié

Charles Wesley's familiar and timeless text is found in this inspired new setting from Susan Naylor Callaway. The beautiful brief a cappella section moves quickly to a satisfying and broad final verse...

Based on a Nigerian folk song, this exciting a cappella work features layered repetitive patterns over African percussion. Ideal for many types of programs, this flexible work can also be used as a pr...

Here's a truly unique Advent anthem. Although upbeat, it contains a quiet intensity underscored with optional string bass and triangle. The (optional) a cappella sections offer variety, while the dyna...

This a cappella original work is both accessible and appealing for developing choirs and ideal for contest and festival repertoire.

This expressive a cappella original by Audrey Snyder is perfect for contest and festival use. Excellent voice-leading makes this sound more difficult than it really is. An optional soprano solo comple...

A reflective text by Oscar Wilde forms the lyric framework for this expressive work. To outer senses there is peace, a dreamy peace on either hand, deep silence in the shadowing land, deep silence whe...

Celebrating the resurrection of Jesus Christ our Lord, here is a rousing and uplifting anthem of joy, peace and hope There is a mighty hope since Jesus arose from the grave is the perfect text for the...

Celebrating the resurrection of Jesus Christ our Lord, here is a rousing and uplifting anthem of joy, peace and hope There is a mighty hope since Jesus arose from the grave is the perfect text for the...

Words of comfort and healing from Revelation 21:4 form the textual framework for this richly expressive a cappella setting. Ideal for a benediction, Remembrance or Memorial Day performance, this work...

Words of comfort and healing from Revelation 21:4 form the textual framework for this richly expressive a cappella setting. Ideal for a benediction, Remembrance or Memorial Day performance, this work...

Commissioned in celebration of Philip Brunelle's 40th year as organist/choirmaster of Plymouth Congregational Church, Rosephanye Powell once again displays her exhilarating craftsmanship. The joyful r...

Simple setting of the short form of the mass: Kyrie, Sanctus, Benedictus, and Agnus Dei, with the addition of a response, and a benediction. It uses the approved translation of the Latin text, and is...

Eleanor Daley is one of Canada's most venerable choral composers. Here, she gives us a secular work for unaccompanied divisi mixed chorus. The rhythmic energy will make the work a hit with high school...

This unaccompanied motet for mixed voices by Canadian composer Eleanor Daley calls for divisi in the soprano and bass parts. Contemplative in nature, the lovely work would be quite effective during th...

Canadian composer Eleanor Daly is widely known in America and represented by a number of publishing houses. As is always the case, her works are well-crafted, elegant, and true to the text. This is no...

Here, award-winning composer Elaine Hagenberg has created an enchanting piece for mixed divisi chorus a cappella. On a text of abolitionist Franny Kemble, the lyrical melodic material and lush harmoni...

No Room, No Room

This contemporary original is an accessible concert or contest work for young choirs and features a strong rhythmic drive with contrasting mixed meter sections.

This contemporary original is an accessible concert or contest work for young choirs and features a strong rhythmic drive with contrasting mixed meter sections.

A light, brisk spiritual arranged for a cappella voices. With independent lines playing with each other throughout, giving some gospel-type solos for the soprano section, the piece makes an excellent...