Partitions de Compositrices pour Chœur mixte : Un répertoire varié

This touching carol for choir and organ sets a tender text by G. K. Chesterton. Immaculately crafted, it has at its heart another winning melody from arguably the world's most famous living composer o...

This inspiring work takes biblical texts on the subject of bread as both physical and spiritual sustenance, culminating in a beautiful and uplifting setting of The Lord's Prayer.

This setting of Langston Hughes's poem In time of silver rain uses uplifting melodies and a supportive piano accompaniment featuring oscillating semiquavers and broken chords. The solo cello carries a...

This stirring Christmas song, setting a text by Kevin Crossley-Holland, combines bouncing rhythms, expressive Chilcott harmonies, and vibrant word-painting to depict the gifts brought to Christ's stab...

Dhire-dhire sets a 'dohe' (couplet) about patience by the Indian mystic poet Kabir. Esmail explores the soundworld of the Hindustani classical tradition, and the score includes both devanagari script...

With a syncopated and arpeggiated cello line throughout, Arakelyan's To a Skylark grows from successive upper and lower voice canons, to a canon between the upper and lower voices, before climaxing wi...

This set of three captivating pieces is designed to introduce choirs to the Hindi language. Each piece teaches linguistic concepts of Hindi and musical concepts of Hindustani music, while reminding us...

This set of three captivating pieces is designed to introduce choirs to the Hindi language. Each piece teaches linguistic concepts of Hindi and musical concepts of Hindustani music, while reminding us...

This gently flowing, contemplative sacred choral work sets words from Isaiah 26 and Psalm 73, expressing gratitude for God's protection and guidance. McGlade includes a short passage which may be sung...

Keep me as the apple of the eye is a tranquil and meditative sacred work, suitable for performance throughout the liturgical year. Drawn from Psalm 17, the text is a plea for shelter and protection in...

This peaceful and meditative work sets William Butler Yeats' classic poem, The Lake Isle of Innisfree. Underpinned by a balladic piano accompaniment, the flowing vocal lines convey a message of longin...

Based on the well-known poem by William Blake, this Christmas piece transports listeners with sounds of heavenly angels beckoning the little Lamb in layered melodic fragments that cascade through the...

The patron saint of music is honoured in McDowall's setting of lyrics based on 'The Life of Saint Cecilia' in Jacobus de Voragine's 1275 The Golden Legend or Lives Of The Saints. The work's outer sect...

In this energetic setting of a text by Kate Wakeling, McDowall employs crisp rhythms and imitative part-writing to evoke a hive's busy co-operative community. Listeners are encouraged to take inspirat...

Based on Virginia Woolf's Moments of Being and her diaries, One day walking i was commissioned by the Delegates of Oxford University Press in memory of Laura Marcus, Goldsmiths' Professor of English L...

This setting of George Herbert's poem 'Prayer' was commissioned by the Leicester Cathedral Music Foundation to mark the 50th anniversary of the founding of Leicester Cathedral Girls' Choir in 1974.The...

Painting vivid imagery of falling leaves through cascading layers of sound in the work's opening and closing, McDowall employs contrasting rhythmic unisons to heighten the impact of this evocative tex...

This setting of a parable by P. S. Beales depicts an encounter between God and three birds with different approaches to praise. The first birds employ modesty and fervour, mirrored in McDowall's music...

The Year of the Horse sets Kate Wakeling's beautiful image of a being of light gracefully moving through time. McDowall's lilting vocal lines express the text's encouragement to take notice of simple...

The Spacious Firmament 2: Yet we who neither burn nor shine is a sequel to The Spacious Firmament. Both pieces may be performed separately, but The Spacious Firmament should always come first if they...

This is a version for string quartet of Erkoreka's saxophone quartet, Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.

This tender and affectionate setting of the well-loved poem of the same title by Robert Burns was written specifically for a wedding, but would suit almost any occasion.

This meditative, folk-style anthem is given a Scottish lilt through the use of Scotch snap rhythms and held drone-like vocal lines. McDowall chose to set this traditional Scottish Gaelic Blessing for...

Chilcott's mighty setting of words from St John's Gospel is a dramatic yet optimistic re-telling of the Passiontide story. As with Bach's great Passions, the role of the Evangelist is taken by the ten...