Partitions de Big Band chez Belwin Music

The familiar Jamaican folk song in a Calypso groove is very accessible for young bands. No individual solos and easy trumpet 1 range to written D fourth line. Reduced instrumentation and flexible opti...

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, The Cool One arranged by Erik Morales is aptly titled - a totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to writt...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Ce standard du jazz est typiquement une valse, mais ce superbe morceau a un aspect latin-pardido très branché en 4/4. Le tempo est en demi-note, autour de 77 BPM, avec des possibilités de solo, ténor...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

Ce standard du jazz est typiquement une valse, mais ce superbe morceau a un aspect latin-pardido très branché en 4/4. Le tempo est en demi-note, autour de 77 BPM, avec des possibilités de solo, ténor...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

no one else is writing Latin tunes that are this good! (3:55)

no one else is writing Latin tunes that are this good! (3:55)

This is an essential standard tune that every student of jazz should know. Victor Lopez provides your band with the opportunity to learn this legendary song in a new setting with a few twists. The hea...

Le mambo est en vogue ! El Rey del Mambo (le roi du mambo), Victor Lopez, récidive. Né à Cuba, Victor connaît la musique latine - l'essence, la sensation et, surtout, la façon de l'écrire pour vous. C...

The mambo is hot! El Rey del Mambo (The King of Mambo), Victor Lopez, does it again--big time. Born in Cuba, Victor knows Latin music--the essence, the feel and, most important, how to write it for yo...

The mambo is hot! El Rey del Mambo (The King of Mambo), Victor Lopez, does it again--big time. Born in Cuba, Victor knows Latin music--the essence, the feel and, most important, how to write it for yo...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...

Gagnant du Grammy de la chanson de l'année 2000 ! Santana est de retour et il est chaud. Arrangé par Mike Lewis pour les musiciens de niveau III, SMOOTH est transformé en un véhicule idéal pour un ens...