Partitions de Big Band chez Belwin Music

As Recorded By Gordon Goodwin's Big Phat Band

As recorded on the Silverline Records album XXL (CD and DVD Audio) by Gordon Goodwin's Big Phat Band. Originally written for vocal group Take 6 and the Big Phat Band, the chart was re-orchestrated for...

Revenge is very sweet! Gordon Goodwin is the hot writer of today's big band charts and this arrangement proves it. Count Bubba's Revenge features a shuffle swing that builds and builds. On top of that...

Splanky was composed by jazz great Neal Hefti for the legendary Count Basie band. Check out how arranger Roy Phillippe brings this arrangement to the easy level and yet keeps the integrity of Hefti's...

You want Count Basie? Nothing says Basie more than the original One O'Clock Jump arrangement recreated here by Jeff Hest. Meticulously notated with Basie's simple but timeless piano solo plus transcri...

Composé par Quincy Jones, compositeur/arrangeur/producteur récompensé aux Grammy Awards, et arrangé par Roy Phillippe. Roy capture le son swinguant d'un big band en commençant par un appel et une répo...

Arr. in zwei Tonarten - für Männer- und Frauenstimmen

A swinging chart for vocal quartet with parts provided for SATB, SSAA or solo vocalist. Composed by Harry Warren, pitched in the key of B-flat, this excellent chart is arranged by Dave Wolpe, one of t...

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

Arrangement in 2 Tonarten - für Frauen in C-Dur, für Männer in F-Dur

Warner Bros. Publications is proud to present this important new series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis, for Essentially...

Ce grand classique du jazz reçoit un nouvel arrangement de Roy Phillippe. Il est différent de l'arrangement original de Benny Goodman, swingue bien et donne à l'arrangement un nouveau son des années 1...

Includes solo clarinet part, but no baritone saxophone.

This one truly is wonderful! The band moves along at a nice tempo giving the vocalist plenty of support throughout. Tenor sax and trumpet both solo after the first chorus and then bring the vocalist b...

I've Got A Gal In Kalamazoo

Greensleeves begins as a jazz waltz with baritone sax, piano, and bass laying down the groove. Arranger Greg Yasinitsky goes on to introduce a contrasting swing section with a written-out solo for ten...

You guessed it, this chart is an up-tempo swinger. Les Hooper's arrangement will keep everyone moving forward on this original based on Rhythm chord changes. Solo space is for tenor and alto plus an o...

A swinging chart, Dave Wolpe continues his string of superb vocal charts with jazz ensemble with Something's Gotta Give. This one is arranged in two keys with two scores and the parts are reversible -...

Big band bebop ! Il s'agit d'un grand classique de Charlie Parker arrangé comme un swing à environ 180 BPM. La mélodie est énoncée par l'alto, le ténor et la trompette 2, suivie de solos écrits de la...

Recorded by the Adderley Brothers, Nat and 'Cannonball,' Nat's composition is ideal for the young player. This swing chart is catchy, easy to play, and mature sounding. Written-out solos are provided...

Recorded by the Adderley Brothers, Nat and 'Cannonball,' Nat's composition is ideal for the young player. This swing chart is catchy, easy to play, and mature sounding. Written-out solos are provided...

An excellent medium-swing vocal chart arranged in two keys, high and low to accommodate all vocalists. The low key is A-flat with vocal range from A-flat below middle C to 3rd line B-flat, and the hig...

Un autre thème exceptionnel et swinguant de l'expert Dave Wolpe. Un grand morceau à 152 BPM, de gros voicings d'ensemble, de beaux solis, des solos écrits pour la trompette 2 et le piano, et des parti...

Here it is exactly how Count Basie and his orchestra played it! Every detail of this jazz standard has been transcribed and reconstructed by Jeff Hest. What better way to learn about the Basie style t...

Here it is exactly how Count Basie and his orchestra played it! Every detail of this jazz standard has been transcribed and reconstructed by Jeff Hest. What better way to learn about the Basie style t...