Partitions chœur

This six-minute madrigal setting was commissioned by the renowned Hanover Girls' Choir and composed on the basis of one of Rainer Maria Rilke's profound poems. It begins as a thanksgiving prayer: for...

Ward Swingle fut un des membres fondateurs du groupe légendaire des "Double six" du Paris des années 60. Avec son autre ensemble, les Swingle Singles, il transposa le scat aux oeuvres de J. S Bach, ce...

Snow wraps my town like a talit, from the warm lands, what have you brought? Perfect for winter multicultural concerts. Available for SATB a cappella.

Arranged for the American Public Media Radio Choir, this is an unaccompanied setting of the 2015 song by Sia. An interesting change of pace for mixed choirs in high school and up.

Uses: Commitment, Communion, General Scripture: Romans 12:2; II Corinthians 5:17; Ephesians 2:10; Ephesians 4:22 The beauty of the unadorned human voice speaks with sensitive eloquence in this sacred...

Dans cette nouvelle pièce de la Brandon A. Boyd's Choral Series, Casey Wood présente une charmante mise en musique du texte de Kilmer, célébrant la beauté de la nature et réfléchissant au lien de l'hu...

Hunter Fisher's "Babe Jesus Lay in Mary's Lap" is an a cappella setting for grade 3-4 SATB. Ideal for sacred settings or holiday concerts, this piece is particularly suited for Christmas and Candlemas...

This radiant Advent anthem offers a serene and reverent setting of the ancient Latin hymn Vox clara ecce intonat. With its poetic text, "A clear voice wakes the dark, and Christ shines forth from heav...

This lovely new setting of Holst's beloved carol sets a mood of calm through the use of unaccompanied divisi chords built in slowly changing rhythms, the way landscape is changed by the falling snow.

Previously available only for SSAATTBB a cappella, this new edition is SATB (no divisi) and includes a piano part that completes the harmony but almost makes you think the choir was a cappella. Excell...

Musik von Knipp,Engel, Lückerath, Priess, Stoklosa, Schütten, Schnitzler.

Georg Christoph Billers "Drei Motetten" für vielstimmig gemischten Chor, Solo-Bariton (in "St. Thomas-Motette" und "Hiobs Botschaft") und Bassinstrument (ad lib.) zeugen vom vielschichtigen Kompositio...

Georg Christoph Billers "Drei Motetten" für vielstimmig gemischten Chor, Solo-Bariton (in "St. Thomas-Motette" und "Hiobs Botschaft") und Bassinstrument (ad lib.) zeugen vom vielschichtigen Kompositio...