Partitions à télécharger par Mark-Anthony Turnage

Greek is a translation of the Oedipus myth into the contemporary East End of London. Racism, violence and mass unemployment appear as metaphors for the plague that afflicts London, and form the backgr...

Mark Anthony Turnage, who celebrates his 50th birthday this summer, composed On Opened Ground for one of the world's most celebrated viola soloists, Yuri Bashmet, and the Cleveland Orchestra. The titl...

3 Lullabies for Violoncello and Piano.

Voici l'exemple le plus récent des petites pièces que Turnage compose pour ses amis ou pour des occasions particulières. Plus intimes et tendres que ses oeuvres pour orchestre, ces compositions sont f...

Kai a été écrit à la mémoire de Kai Scheffler, premier violoncelliste et membre central de l'Ensemble Modern en Allemagne, après sa mort tragique et prématurée en 1989.Cette oeuvre de 18 minutes se co...

Vocalise, composed by Mark-Anthony Turnage for cello with piano accompaniment. Taken from the Unbeaten Tracks series edited by Steven Isserlis, 8 intermediate contemporary pieces for cello and piano.

Musique émouvante, au lyrisme pénétrant, pour le jeu en solo.

Des émotions allant d'une intense colère au désespoir morbide sont exprimées dans cette oeuvre vocale puissante qui décrit la vision des poètes sur la Grande Guerre. The Torn Fields de Mark-Anthony Tu...

Commissioned by Washington Performing Arts Society for Leif Oves Andnes who gave the first performance. They are attractive and not too difficult, clearly stamped with Turnage`s lyrical style.

This short trio combines angular lines and troubling chromaticism to create a highly effective piece of mood music with an empty, eerie feel to it. A beautiful and poignant work in memory of the celli...

The work is based on a tune called The Nag written by the jazz guitarist/composer John Scofield, of whom I have long been a fan and with whom I worked closely when writing Blood on the Floor (Mark-Ant...

One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed....