Partitions à télécharger par Mack Wilberg

This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated, with simple vocal harmonizatio...

A gentle arrangement of the well-known Irish tune and Henry Baker text in which solo lines and expressive harmonies combine to create a delicate and very lovely setting.

This lovely arrangement of the popular American folk song perfectly captures the sense of loss and longing in the words. From the gentle unison opening, the music builds up through a range of textures...

From the collection Mack Wilberg Carols, this upbeat march in 2/4 meter celebrates the birth of the Saviour with vocal parts that imitate a trumpet fanfare. A version with accompaniment for piano four...

From the collection Mack Wilberg Carols, this tender, gentle arrangement of the popular Austrian carol has two simple vocal lines (one for women and one for men), supported by a steady, rich piano acc...

This heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. An orchestral accompaniment is available on hire. A v...

This delightful arrangement of a traditional Swedish melody presents the tune in a variety of scorings, from unison upper voices at the opening to classic four-part harmony with a twist later on. This...

This uplifting work by American composer Reginal Wright sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are sung to a memorable melody embellished with syncopation...

From the collection Mack Wilberg Carols, 'The Virgin Mary had a baby boy' is Wilberg's spirited arrangement in calypso style of the traditional West Indian carol, scored for SATB and piano. A version...

From the collection Mack Wilberg Carols, 'How far is it to Bethlehem?' is Wilberg's charming arrangement of this English carol. Scored for SATB and piano, this gentle version is accessible to choirs o...

From the collection Mack Wilberg Carols, 'Gloria tibi Domine' is Wilberg's energetic setting of the fifteenth-century English carol text, scored for SATB and piano. A version with accompaniment for pi...

O Gracious Light is a tender and reflective work setting an English translation of a Greek third-century text. With rich, four-part harmonies and flowing melodic lines, this intimate work will be enjo...

Sarah Quartel's On this Silent Night perfectly conveys the magic and excitement of winter, conjuring images of warmth by the fireside while the weather outside closes in. It would be a compelling secu...

Written in 2004, Jackson harks back to the time of the Eton Choirbook with this expansive polyphonic Salve Regina, with its intricate and delicate interspersions in English decorating the celebrated L...

A uniquely graceful arrangement of the well-loved tune from Southern Harmony Also available in SSAA voicing (HMC1675)

This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated, with simple vocal harmonizatio...

Music of Life is a vibrant setting of a poem by George Parsons Lathrop that describes how music underpins all earthly life. An active piano part provides an energetic undercurrent to compelling vocal...

Commissioned by Sonoro for the second instalment of their Choral Inspirations project, McDowall has composed Crucifixus Re-imagined as a response to Lotti's Crucifixus from Credo in F.

This is a majestic setting of the popular hymn 'O God beyond all praising' to Holst's tune 'Thaxted', which is adapted from a theme in 'Jupiter' from The Planets. Wilberg's beautiful treatment of the...

A festal setting of this familiar tune, imposing and exciting but not difficult, with a few thrillingly unexpected harmonies and modulations. Score and parts for brass and percussion are available on...

This luscious arrangement opens with a wind and brass introduction. A flowing, gently rocking string background sets off the vocal line in the altos while the rest of the chorus sings 'oohs'. This mak...