Partitions à télécharger par Charles Villiers Stanford

Well-suited for honor choirs and collegiate use, this excellent edition for SSA double choir will be a stunning addition to your classic repertoire. Extremely effective!

Originally conceived as a funeral piece, this moving motet is full of elegant, unhurried lines, and pays final respect to the deceased. Originally published in AStanford Anthology.

Here is Sir Charles Villiers Stanford's famous meditative setting of a poem by Mary Elizabeth Coleridge. The editor has provided several options to make it more accessible to more choirs without losin...

This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on...

Two of Stanford's finest partsongs for unaccompanied SATB voices.

The second of Stanford's Three English Motets Op. 135, this extended anthem boasts both impressive emotional range and textural ingenuity. Originally published in A Stanford Anthology.

A powerful commemoration motet for double choir with bold tonal and textural shifts, framed by outer sections in a deliberate archaic style. Originally published in AStanford Anthology.

Recueil de trois motets latins : "Justorum animae", "Coelos ascendit hodie" et "Beati quorum via". Publié à l'origine dans A Stanford Anthology.

A beautiful anthem that combines natural imagery with sensitive text-setting, creating a powerful sense of narrative. Originally published in AStanford Anthology.

Melodie: trad. aus Irland ('Paddy O'Snap'), bearbeitet von Thomas Moore; Satz: aus: Six Irish Folksongs, op. 78

This exciting work for choir and solo violin draws its title from Edward Winslow's 1624 chronicles, Good Newes from New England, in which he describes the Mayflower Pilgrims' settlement in the New Wor...

Here is a wonderful festival setting of the great hymn text for treble voices and trumpet that celebrates the gift of music. A magnificent selection for children's and youth choirs!

A powerful and solemn setting of Psalm 57 with a lighter, lilting middle section, published posthumously. Originally published in A Stanford Anthology.

Based on popular hymn tunes, these short anthems by Stanford were written as complements to his Six Bible Songs (Op. 113), but also stand independently as inventive works in their own right. Originall...

Influenced by Felix Mendelssohn Bartholdy, the Irish composer Sir Charles Villiers Stanford (1852-1924) developed an English Romantic musical language of his own.This is noticeable especially in his t...

La série "orgue plus cuivres" rassemble des œuvres originales et des arrangements pour orgue et chœur de trombones spécialement adaptés aux besoins des ensembles à vent non professionnels et des music...

Drake's Drum, composed by Charles Villier Stanford and arranged for piano solo in digital sheet music format.

The Old Superb, composed by Charles Villiers Stanford and arranged for piano solo in digital sheet music format.

Notation : Fl, cl. si bémol, cor en fa et bn, 2vns, va, vc, db. La Sérénade-Nonet op. 95 a été écrite très rapidement au cours de l'été 1905 et a été jouée en 1937, mais n'a reçu que très peu d'attent...

Notation : Fl, cl. si bémol, cor en fa et bn, 2vns, va, vc, db. La Sérénade-Nonet op. 95 a été écrite très rapidement au cours de l'été 1905 et a été jouée en 1937, mais n'a reçu que très peu d'attent...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo low voice a...

One of the last anthems written by Stanford before his death, this is a sophisticated setting of Watt's well-known text. The opening theme is transformed in several ways, with a touch of gravitas befo...