Partitions à télécharger par Bob Chilcott

These charming settings of riddles by Bob Chilcott's long-term collaborator Charles Bennett were originally published as part of the environmental cantata The Angry Planet. Here rescored for two-part...

Commissioned by the New Orlean's Children's Chorus for the 2005 Crescent City Festival, this work is to be performed 'cool but with a swing'.

Four songs exploring a variety of 'green' issues for SS and piano. The songs are fun, funky, and totally up-to-date, with jazzy rhythms and some rap-style verses to really get young choirs and their a...

Burk weaves joyful and declamatory passages with moments of pensiveness, with an extended harmonic vocabulary throughout. Offprinted from Carols for Choirs 6.

Composed for the Feast of Corpus Christi, this setting has a poise and beauty rare in choral music. Jackson uses the full sonic opportunities offered by the divided scoring, moving effortlessly from c...

This serene, reflective anthem is a rich addition to the Choral Evensong repertoire. Chilcott artfully entwines an original setting of William Fuller's 'Evening Hymn', most famously set by Henry Purce...

This heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. An orchestral accompaniment is available on hire.

From the collection Bob Chilcott Anthems 2, 'The Lord's my Shepherd' is Chilcott's original setting of Psalm 23, scored for SATB and piano. Serene and flowing, this beautiful melody captures the atmos...

This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine...

This setting of Psalm 139 by Chilcott is warm and mesmerizing. The chant-like texture and shifting tonalities impart the sensation of being entranced in prayer. The words offer respite, as one is safe...

This is a charming setting of the well-known Psalm in Chilcott's signature style. The melodies flow gently in three, exuding calmness and expression, underpinned by a delicate keyboard accompaniment....

Written for the charity Help Musicians, this anthem presents an imaginative setting of Francis Pott's well-known hymn in triple metre. Characterful and contrasting organ writing underpins the melodica...

With a restrained tempo and expressive harmonies, this tender anthem sets an extract from the Book of Common Prayer that implores God to listen to our prayers. Originally published as the sixth moveme...

Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, whil...

Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a c...

In this expressive setting, Chilcott adapts the Prayer of St Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or by an upper-voice or children's choi...

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

The King shall rejoice was commissioned by Westminster Cathedral to mark the sixtieth anniversary of Her Majesty The Queen's coronation. Setting powerful and optimistic words from Psalm 21, Chilcott e...

A mysterious and mesmeric anthem for SATB and organ, using the beautiful words from Matthew 11:28-9. The piece is suitable for use in Lent and throughout the year as a general anthem.