Partitions à télécharger par Becky McGlade

Eine wunderschöne, kurze Vertonung des lateinische Messtextes (Kyrie, Gloria, Sanctus & Benedictus, Agnus Dei) der aufstrebenden Komponistin Becky McGlade aus Cornwall. Das Kyrie besticht durch seine...

McGlade's tender piece is full or arching phrases that swell and fade with the emotion of Rosetti's text. The carefully crafted cello part interacts with and responds to the choir without ever losing...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

Becky McGlade has set this well-known Christmas hymn with textures both rich and restrained. The original English language hymn was based on a 19th-century English translation of Prudentius's 4th-cent...

Eine kontemplative und ergreifende Vertonung der beiden ersten Verse aus Psalm 91 ('Wer im Schutz des Höchsten wohnt'), die von Gottes Schutz für diejenigen berichtet, die ihm folgen. Geschrieben wurd...

This simple setting of words by Tennyson reflects a different side to McGlade's compositional style, without sacrificing any of her trademark characteristics. The largely homophonic vocal lines move a...

A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Perfect for concert use. Also available in versions for solo low voice and SSA.

The Christmas motet Ex ore infantium was published with an organ continuo accompaniment, but the piece works equally well unaccompanied. The alternation of busy rhythmic writing with homophonic statem...

Lucy Walker's thoughtful setting of There is no rose flows between swells of emotion and warm chromatic inflections in the Latin refrains. Offprinted from Carols for Choirs 6.

This gentle arrangement for a cappella choir of the well-known fifteenth-century carol conjures a restful but evocatively melancholy atmosphere. The texture is varied by the use of a soprano soloist,...

This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. Featuring a lilting melodic line, eloquent part-writing, and an effective piano part. Also available in ver...

Garden of Dreams sets of fragments of text by Sappho, translated by Arthur Sanders Way and A. S. Kline. Sarah Quartel has used cross-rhythms, syncopation, and flowing melodic lines to create a sense o...

Walt Whitman's poetry abounds in references to music and song but nowhere more so than in 'That Music Always Round Me'. Skempton's captivating setting acknowledges the serenity and timelessness of the...

This gently flowing, contemplative sacred choral work sets words from Isaiah 26 and Psalm 73, expressing gratitude for God's protection and guidance. McGlade includes a short passage which may be sung...

I too shall walk to Bethlehem depicts a journey to the Bethlehem stable 'where once a child was born'. The orchestral accompaniment is available for purchase.

This sequence of six carols explores the role of Mary in the Christmas story, focussing on her human experience within a story of the divine. The work has two accompaniment options: piano (using the v...

A lilting 3/4 metre carries the listener through this familiar Christmas story, beautifully depicted in a text by the composer. Rutter employs artful word-painting throughout, and the verse-refrain st...

The wonderful choral music of Howard Skempton has a unique voice that is instantly recognizable. Four by the Clock, which sets words by Longfellow, is a rich and brooding piece that although quiet and...

Composer's note: 'I was introduced to William Blake's poem The Lamb many years ago through John Tavener's famous setting and, when commissioned by York Minster to write a carol for their 2019 nine les...