Partitions Tomas Luis de Victoria pour chœur de femmes

These new SAB and SSA arrangements make the beautiful Tomas Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompan...

These new SAB and SSA arrangements make the beautiful Tomas Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompan...

Edited and arranged for 3-Part Chorus of Women's Voices by Jerry Weseley Harris. English text alternative provided.

Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines befo...

An arrangement of the Ave Maria by Tomás Luis de Victoria for women's choir (SSAA) by Thais Janssen. It has been debated whether or not this work was composed by Victoria, and some attribute it to Jac...

Version for Upper Voices as arranged by Carl Deis.

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Edited and arranged for 3-Part Chorus of Women's Voices by Jerry Weseley Harris. English text alternative provided.

The compositional style of this motet demonstrates word-painting and madrigal-like features. It opens with a duet that may reflect the word 'Duo' in the title, and the use of three voices at the start...

In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...

Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...

The darkness evoked in this piece mirrors not only the title word 'Tenebrae', but also the intense grief of the crucifixion, as Jesus gives up his spirit.

This motet in two parts is devotional in character, with each section opening with homophonic writing before elaborating on close imitative polyphonic lines. The text is based on the first two stanzas...

An accompaniment for orchestra without organ is also available. Full scores, vocal scores, and instrumental parts are available on hire. The first movement of Gloria is available separately under the...