Partitions Pjotr Iljitsch Tschaikowski pour flûte

This product number is for the FULL SCORE ONLY. For the full set of score and parts, see product number FC-302. Six pieces from Tchaikovsky's Nutcracker Suite (Miniature Overture, March, Danse of the...

This is the first movement of Tchaikovsky's Serenade, titled 'Pezzo in forma di Sonatina' - A marvelous addition to the repertoire! Winner - 1998 NFA Newly Published Music Competition. Instrumentation...

The second of his three ballets, Peter Ilyich Tchaikovsky finished the score for 'The Sleeping Beauty' in 1889 and it was premiered in St. Petersburg, Russia at the Imperial Mariinsky Theatre on Janua...

for Two Flutes and Piano. Taken from Tchaikovsky's lesser-known Symphony No. 3, this work is ideal for students and light programs.

Comprised of themes from Tchaikovsky's entire Nutcracker Ballet, this is another '5-Minute Masterpiece.' Perfect for holiday performances, scored for Flute and Piano.

A super transcription of Dance des Mirlitons, Marche, and Trepak. Instrumentation: 3 C Flutes, Alto Flute

The Capriccio Italien of Peter Ilyich Tchaikovsky was composed in 1880, inspired by a trip he took to Rome. He writes to his friend and patroness Nadezhda von Meck in Russia: 'I have already completed...

Sleeping Beauty is one of the most famous ballets of all the classical repertoire, first performed at the Mariinsky Theatre in St. Petersburg, Russia in 1890. Consisting of a prologue and three acts,...

Similar to many of his other works, The Nutcracker ballet of Peter Ilyich Tchaikovsky was not initially successful and only entered into the standard repertoire many decades following its premiere. De...

Swan Lake was composed by Peter Ilyich Tchaikovsky in 1875-76 and was not well-received at the Moscow premiere in 1877. In 1895, two years after the death of Tchaikovsky, Swan Lake was revived for a p...

Peter Ilyich Tchaikovsky composed the incidental music for Aleksandr Ostrovsky's musical drama, The Snow Maiden, in 1873. This movement, the Melodrama takes place in Act II, intimately scored only for...

Des bis efficaces de deux maîtres de la période romantique. Cette nouvelle édition remplace la première édition originale : HE3 publiée par Hunt Edition et la version European Music Archive (EMA134).

Des bis efficaces de deux maîtres de la période romantique. Cette nouvelle édition remplace la première édition originale : HE3 publiée par Hunt Edition et la version European Music Archive (EMA134).

From Tschaikowsky's immortal Nutcracker, this selection for grade 5 piccolo players retains the original style of the classic theme, making it a perfect choice for contests and recitals. Duration 1:20...

From Tschaikowsky's immortal Nutcracker, this selection for grade 5 piccolo players retains the original style of the classic theme, making it a perfect choice for contests and recitals. Duration 1:20...

Beautifully transcribed from Tschaikowsky's Album For The Young, this vivid portrayal of a bird in flight is ideally suited to piccolo and flute soloists. Good finger dexterity and the ability to main...

This short, moderate tempo march is arranged for 2 piccolos, 7 flutes, alto flute in G (Bb Clarinet alt.), and optional Glockenspiel.

Violin part edited by David Oistrakh, Guitar part transcribed and edited by Allen Krantz

Selections from Tchaikovsky's beloved Nutcracker ballet are now available in authentic, detailed arrangements for solo instrument and piano. Perfect for the holiday season! Includes online piano accom...

Following the 'Carnival of the Animals' and the 'Moldau', Jennifer Seubel has now set her sights on the 'Nutcracker Suite' by Pyotr Ilyich Tchaikovsky, and has arranged it for two flutes. This wonderf...

Après le "Carnaval des animaux" et la "Moldau", Jennifer Seubel se consacre maintenant à la "Suite de Casse-Noisette" de Pyotr Ilyich Tchaïkovski et la met en musique pour deux flûtes. La suite de mél...

This famous excerpt from Act II of Tschaikowsky's immortal Nutcracker suits the idiomatic strengths of flutes to a tee! Crisp articulation of the repetitive 16th-note figures in all parts is essential...