Partitions Musique de Pâques pour Chœur : Un répertoire d'exception

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...

The American folk-hymn with a new, powerful text, which expands it's scope and usefulness: ideal for both Easter and general Sunday services. The American folk-hymn with a new, powerful text, which ex...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.

Commemorate the 200th anniversary of Mozart's death with this lilting song of praise for SAB voices. Adapted from the Dona nobis pacem section of his Missa Brevis in F, K. 192 with an English text dra...

This lyrical and charming setting of 'Now the Green Blade Riseth' from The Oxford Book of Carols depicts the pastoral images describing Christ's Resurrection with a gentle folksong-like tune and simpl...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Composer Jonathan Shippey has scored this masterful Easter anthem incorporating the tunes Lancashire and Ellacombe. For mixed voices with keyboard and trumpet, a reproducible congregational part is al...

The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, the Great Alleluia, and the splendid Easter Sequence Victimæ Paschali laude...

The surprising joy of the Resurrection is conveyed through jubilant fanfares in the accompaniment and a shifting of the rhythm between 3/4 and implied 6/8 meters. As the mood softens, a more melodic s...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

Après son départ prématuré de la scène lyrique en 1829, Gioachino Rossini n'a plus composé, outre de la musique de chambre, que de la musique sacrée de plus grande envergure. C'est le cas du "Stabat M...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

This majestic Easter anthem has been elevated to dramatic regal status by Richard Nichols with a new setting for SATB Choir and Organ, with optional Brass and Percussion.

Joyfully celebrate Easter with Hosanna We Sing! (MD5545).

Créé avec le même soin et la même vision que le best-seller The Lyric Psalter, The Lyric Gospel Acclamations est une collection en deux volumes contenant des mises en musique lyriques de chaque verset...

Créé avec le même soin et la même vision que le best-seller The Lyric Psalter, The Lyric Gospel Acclamations est une collection en deux volumes contenant des mises en musique lyriques de chaque verset...

Featuring a mezzo-soprano solo, this dramatic setting by Rosephanye Powell will be instantly embraced by your choir and congregation. Appropriate for the Easter season, you will also find this anthem...

Fairly ambitious five-minute Easter production for SATB, soprano solo, optional congregation, and organ, based on Judas Maccabeus, by G. F. Handel, with original music and hymn setting by John Ness Be...

Urtext de la Nouvelle Edition Bach - Cantata for Easter Sunday. Soprano solo, Alto solo, Ténor solo, Basse solo, Choeur mixte-SATB ; Trompette/ Cornetto/ Zink, Trombone (3), Cordes, Basso continuo - r...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

La cantate de Johann Sebastian Bach "Der Himmel lacht ! Die Erde jubilieret" BWV 31 a été composée à Weimar pour le dimanche 21 avril 1715. Le texte de Salomon Franck est étroitement lié à l'Évangile...