Partitions Musique de Pâques pour Chœur mixte (SATB) : Grandeur sacrée

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Oratorium für szenische oder konzertante Aufführung Text: Ulrike Krumm unter Mitarbeit eines Teams aus Hartmut Greiling, Dorothee Löhr, Eva Martin-Schneider, Claudia Stein, Christiane Michel-Ostertun...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.

This lyrical and charming setting of 'Now the Green Blade Riseth' from The Oxford Book of Carols depicts the pastoral images describing Christ's Resurrection with a gentle folksong-like tune and simpl...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Composer Jonathan Shippey has scored this masterful Easter anthem incorporating the tunes Lancashire and Ellacombe. For mixed voices with keyboard and trumpet, a reproducible congregational part is al...

The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, the Great Alleluia, and the splendid Easter Sequence Victimæ Paschali laude...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

This majestic Easter anthem has been elevated to dramatic regal status by Richard Nichols with a new setting for SATB Choir and Organ, with optional Brass and Percussion.

Featuring a mezzo-soprano solo, this dramatic setting by Rosephanye Powell will be instantly embraced by your choir and congregation. Appropriate for the Easter season, you will also find this anthem...

Urtext de la Nouvelle Edition Bach - Cantata for Easter Sunday. Soprano solo, Alto solo, Ténor solo, Basse solo, Choeur mixte-SATB ; Trompette/ Cornetto/ Zink, Trombone (3), Cordes, Basso continuo - r...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

La cantate de Johann Sebastian Bach "Der Himmel lacht ! Die Erde jubilieret" BWV 31 a été composée à Weimar pour le dimanche 21 avril 1715. Le texte de Salomon Franck est étroitement lié à l'Évangile...

Comme la plupart de ses œuvres, la "Passion selon saint Jean" de Johann Sebastian Bach n'a pas survécu dans une version définitive - par exemple sous la forme d'une édition imprimée ou d'une copie fid...

Contrairement aux autres oratorios de Bach, il n'existe pas de version définitive de la "Passion selon saint Jean". La première version de 1724, couramment utilisée aujourd'hui, est un mélange de diff...

Parmi les nombreuses compositions de Verdi, la Messa da Requiem reste singulière en tant qu'œuvre de musique sacrée. Elle a été composée en tant que mémorial musical pour le poète national italien Ale...

Le compositeur britannique Grayston (Bill) Ives (*1948) s'est consacré à la musique chorale de diverses manières. Il a été ténor au sein des légendaires King's Singers, puis a travaillé pendant 18 ans...