Partitions Martin Luther pour chœur mixte

La deuxième cantate de Bach commençant par le texte "Nun komm, der Heiden Heiland" BWV 62 a été jouée le premier dimanche de l'Avent (à l'époque, le seul dimanche de l'Avent avec de la musique d'églis...

Kantate zum 1. Weihnachtstag (Frühfassung). Soli SATB, Coro SATB, 2 Cor, Timp, 3 Ob, Str, Fg, Org

Springing from the words of Martin Luther, this newly composed anthem is a tender testimony to the birth of Christ. Arranged for success, the anthem has a restrained vocal approach in the verses, usin...

Das Te Deum in der Übersetzung und Bereimung von Martin Luther 1529

Il y a 500 ans, la Réforme apportait avec elle un élan artistique inestimable, notamment la grande richesse musicale de l'Eglise protestante et un fond immense de chants liturgiques. La tradition prot...

If we look back to the beginning of the Protestant Church, over 500 years ago, beyond its central theological and historical aspects, then we must consider the priceless cultural and artistic impulses...

Wesentlich für das Schaffen von Johannes Brahms war dessen Auseinandersetzung mit der musikalischen Tradition: Kirchentonarten, Kanontechnik, barocke Diktion, Bachs Kontrapunkt und Beethovens thematis...

Ein feste Burg ist unser Gott is the second movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronolo...

The first part of Ernst Pepping's Choralsuite is a setting of Martin Luther's three-verse hymn, written to replace the Latin Credo in the Reformation German mass. Luther also adapted Catholic statemen...

The first part of Ernst Pepping's Choralsuite is a setting of Martin Luther's three-verse hymn, written to replace the Latin Credo in the Reformation German mass. Luther also adapted Catholic statemen...