Partitions Mario Castelnuovo-Tedesco pour chant

Divided into three sections, this wordless melody opens with a 'sad and impassioned' chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows, in which a 'lively and stu...

Les Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco sont un exemple de la chanson de chambre italienne du début du XXe siècle. Sur des textes de Francesco Redi, le compositeur...

Les Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco sont un exemple de la chanson de chambre italienne du début du XXe siècle. Sur des textes de Francesco Redi, le compositeur...

Les Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco sont un exemple de la chanson de chambre italienne du début du XXe siècle. Sur des textes de Francesco Redi, le compositeur...

Immerse yourself in the fascinating world of 1920s art song: The "3 Heine-Lieder" (1926) combine Heinrich Heine's timeless, delicate poetry with an expressive musical language. This sheet music editio...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Vogelweide Op. 186

Immerse yourself in a world of poetry, melancholy, and musical depth with "The Divan of Moses Ib Ezra Op. 2". This extraordinary song cycle for voice and guitar brings together the poignant verses of...