Partitions Mario Castelnuovo-Tedesco pour chant

Les Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco sont un exemple de la chanson de chambre italienne du début du XXe siècle. Sur des textes de Francesco Redi, le compositeur...

Les Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco sont un exemple de la chanson de chambre italienne du début du XXe siècle. Sur des textes de Francesco Redi, le compositeur...

Les Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco sont un exemple de la chanson de chambre italienne du début du XXe siècle. Sur des textes de Francesco Redi, le compositeur...

Divided into three sections, this wordless melody opens with a 'sad and impassioned' chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows, in which a 'lively and stu...

Reprint - Stimmlage: m

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Vogelweide Op. 186