Partitions Malcolm Arnold pour orchestre

2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons (2nd optional), 4 Horns in F (3 - 4 optional), 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Glockenspiel, Cymbals), HarpStrings (Violin 1, Violi...

Orchestration/b> t2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons (2nd optional)4 Horns in F (3 %26 4 optional), 2 Trumpets in Bb, 3 TrombonesTimpani, Percussion (Glockenspiel, Cymbals)HarpStrings (V...

Rinaldo and Armida was written for the Sadler's Wells Theatre Ballet Company (UK). Duration: c.9 minutes. Orchestra 3 flutes, 2 oboes, 2 B-flat clarinets, 2 bassoons, 4 horns in F, 3 trumpets in B-fla...

Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Cymbals, Side drum, Bass drum, Triangle. Tambourine, Glockenspie...

Peterloo is the derisive name given to an incident on 16 August 1819, in St Peter's Fields, Manchester, when an orderly crowd of some 8,000 people met to hear a speech on political reform. On the orde...

Instrumentation: 2222 – 4230 – timp – perc(1): cyms/glsp/tam-t/BD – strings

This is indeed a substantial piece of music and there is never any doubt it was written by a symphonist. The orchestration is both clever and brilliant. . .a contemporary masterpiece.Schenectady Gazet...

The chilling slow movement seems to me to be one of the great symphonic essays written by an Englishman.Michael Kennedy, Daily Telegraph, 1 June 1991, Instrumentation: picc.2.2.2.2.cbsn – 4331 – timp...

A cantata for chorus and orchestra written specifically with young performers in mind. English poet Patrick Dickinson sets the story of Odysseus returning for Penelope, with Arnold's music serving the...

The concerto has a dashing first movement marked by jazz memories and a lento whose wistful melancholy also suggests the sentimental lyrical style of the 1930s. The leap from this to the crude whoopin...

On the surface a listener-friendly extension of Field's early-Romantic idiom, this is music encompassing switchbacks of mood and material so bizarre as to be almost unnerving. (Imagine Chopin as it mi...

Contemporary-music-without-tears has always been his aim, and this succinct little three-movement work showed him as skilful as ever in unpretentious directness of utterance, as it were in the vernacu...

... a 17-minute, three-movement work in which orchestra suits and colours are dealt with concision, wit, fluency and light-fingered skill... Gillian Widdicombe, Financial Times, November 1976 Instrume...

... has a genuine music-hall flavour, with lots of gusto, a winning waltz theme, an Offenbachian can-can and even twittering bird effects in the tuneful pot-pourri towards the end of the suite. Ivan M...

... has an enchatingly gentle Ravelian slow movement, and an outrageously jazzy finale which was encored at its Proms premiere - understandably as it centres on one of Arnold's most infectious tunes.....

Instrumentation: 2222 - 4000 - strings

Instrumentation: picc.2.2.2.2 - 4331 - timp - perc(3): t.bells/glsp/cyms/tam-t/BD - strings

Instrumentation: 1.picc.2.2.2 - 2200 - timp - strings

Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Cymbals, Side drum, Bass drum, Triangle. Tambourine, Glockenspie...

Whistle Down The Wind, Small Suite For Small Orchestra, is three-movement suite Prelude, The Three Kings, Finale played as one continuous piece. Its melodic charm and instrumentation, including vibrap...