Partitions Leroy Anderson pour orchestre

One of the most entertaining and useful sounds that string performers can bring to a concert stage is the pizzicato effect of the plucked string. What better way to describe (and to hear) this resonan...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. 'The Typewriter' is being reprinted with full score and bowed parts so th...

This creative 'timeless' classic by Leroy Anderson is a must for your library. Perfect for concert or show, this unique novelty number is destined to be a favorite of your audience. A masterpiece!

This creative 'timeless' classic by Leroy Anderson is a must for your library. Perfect for concert or show, this unique novelty number is destined to be a favorite of your audience. A masterpiece!

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...

Leroy Anderson's melodies have become classic standards the world over. Calvin Custer has taken four of his most popular hits -- Blue Tango, Belle of the Ball, The Syncopated Clock and Serenata -- and...

Probably the best-known trumpet trio of all time! Every trumpeter should experience the thrill of playing this piece and the original is playable by most school orchestras. Newly re-engraved with a fu...

Let the earth receive her King! So rings the closing chord of this lovely setting of 'Good King Wenceslas,' 'We Three Kings' and 'Joy to the World.' Unison parts and varied section features provide in...

This arrangement is scored for intermediate-level full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. Shortened from the...

All school orchestras can experience the magic of Leroy Anderson with this composition in the original version. Usable year after year.

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. 'The Typewriter' is being reprinted with full score and bowed parts so th...

One of the most entertaining and useful sounds that string performers can bring to a concert stage is the pizzicato effect of the plucked string. What better way to describe (and to hear) this resonan...

Like most of Leroy Anderson's efforts, "Belle of the Ball" is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitaliz...

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

This title is available in SmartMusic.

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

All six movements of this classic Anderson work have been transcribed from his handwritten manuscript. Premiered by the Boston Pops under the direction of Arthur Fiedler, this piece was originally wri...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

Leroy Anderson's "Jazz Pizzicato" and "Jazz Legato" stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...