Partitions Gabriel Fauré piano

In Faurés Gesamtwerk ist die Klaviermusik von zentraler Bedeutung. Seine 1879 entstandene 'Ballade' widmete er seinem Lehrer Camille Saint-Saëns. Sowohl durch ihren lyrischen Charakter als auch in for...

The Dolly suite, a collection of six piano duets (for one piano, four hands), shows Fauré's wittier side while portraying the many scenes and moods of childhood. This suite got its name from its dedic...

Even in these early pieces Fauré's penchant for unusual and daring harmonic shifts is already apparent. This edition offers alternative readings based on Fauré's piano-roll recording of the third roma...

Avec ce premier cycle (1863/64), Fauré suit les Chansons sans paroles de Mendelssohn et s'inscrit en même temps dans la Français tradition de la "Romance sans paroles", composée avant lui par Thalberg...

Fauré would have been delighted to know that this edition corrects the misguided feline associations in the titles for the second and fourth of these pieces. 'Mi-a-ou' should always have been known as...

Gabriel Fauré: 3 Romances sans Paroles Op. 17, No. 3 in A flat major (Piano solo)

Les six pièces constituant cette petite suite furent composées entre 1893 et 1896 et inspirées par Hélène Bardac, fille d'une cantatrice amie. Née en 1892, la demoiselle était surnommée 'Dolly' (petit...

Fantaisie en forme de quadrille sur des thèmes favoris de l'Anneau du Nibelung de Richard Wagner.

Piano/clavecin - Piano à deux mains.

La virtuosité signifie ici l'exploitation totale de la culture sonore pianistique. Un riche spectre de coloris impose son empreinte tant à l'original de Fauré qu'à cette transcription.

La virtuosité signifie ici l'exploitation totale de la culture sonore pianistique. Un riche spectre de coloris impose son empreinte tant à l'original de Fauré qu'à cette transcription.

Les '13 barcarolles' de Fauré, composées sur une période de presque quatre décennies (1882-1921), sont hautement représentatives de son œuvre pour piano et sont considérées comme ses œuvres les plus c...

Faurés vier 'Valses-Caprices'(1882/83-1894) (BA10843) spiegeln verschiedene Formen seiner Auseinandersetzung mit dem Walzer in Verbindung mit der freien Form der Caprice. Anregungen für seine 'Valses-...

Fauré's 'Pavane' was composed for orchestra in 1887, followed by a version for chorus and orchestra in that same year. Three decades later Serge Diaghilev had it choreographed for his Ballets russes -...

Fauré composed his 5 impromptus in two distinct periods of his career, in 1881-83 and 1906-09. Inspired by Chopin's example, the brilliant early impromptus (opp. 25, 31 and 34) resemble lyrical études...

The music of Gabriel Fauré (1845-1924) is an important link between the innovations of late Romanticism and the experimentation of the early 20th century. A student of Saint-Saens, he, in turn, taught...

Die Musik der kleinen Formen sollte der Schwerpunkt des französischen Komponisten Gabriel Fauré (1845-1924) werden. Der Lehrer von Camille Saint-Saëns trat nach Jahren in der 'Provinz' 1874 eine Organ...

The new Peters edition of Fauré's Barcarolles, like that of the Nocturnes, draws on a very wide range of sources including piano rolls played by him and printed copies bearing his corrections. Along w...

Fauré made a piano transcription of the 'Pavane', but subsequently he revised his original orchestral score. Howat's new transcription is true to the spirit of Fauré's arrangement. The preface quotes...

Roy Howat's arrangement of 'Dolly', based on his Urtext revision of the original duet version, sits firmly within the French tradition of transcription, with its focus on elegance and clarity of textu...

These exquisite pieces are among many Fauré works which have long puzzled pianists with illogical-seeming metronome markings. The issue is addressed comprehensively in this edition, presenting the per...

Nowhere in Fauré's output are the polemics about tempo and metronome markings so pronounced as in this extended and relatively neglected piece. The detective work for the scholar and the performer beg...