Partitions Francis Pott pour chœur mixte

As Joseph was a-walking is a beautifully serene and atmospheric setting of traditional words on the prophecy of Christ's birth as told to Joseph by an angel. With rich harmonies, striking chromatic mo...

Setting a heart-breaking wartime text by Wilfrid Wilson Gibson, Pott has created a beautifully poignant piece befitting any Remembrance occasion. Written in memory of Staff Sergeant Olaf Schmid, a bom...

I sing of a Maiden combines flowing lines with rhythmic irregularity, and ends with an airy weightlessness which, in the words of the composer, echoes the vernal flavour of the words. Although rhythmi...

With intricate harmonies and a soprano solo, this is a beautiful setting of a text by Peter Dale detailing the gifts given to baby Jesus and in turn, the gifts that Jesus bestows upon humanity. Origin...

Aiming for weightless flexibility of expression, this setting employs an idiom detectably in keeping with aspects of medieval practise. Offprinted from the collection Cantica Nova.

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

This motet has been performed by Schola Cantorum of Oxford, conducted by Mark Shepherd.

Cette œuvre a été commandée au début de l'année 2023 pour le Choir of the Chapels Royal, H.M. Tower of London, dans le cadre d'un service célébrant le couronnement de S.M. le roi Charles III. Elle a é...

Edward Margetson was born in St. Kitts, British West Indies, immigrating to the United States in 1919. One of only a few published choral works by the composer, A few more years shall roll sets a hymn...

Written for the 25th anniversary concert of the Manchester Chorale in 2004, this setting of a poem by Paul Eluard (trans. Bowen) is both powerful and gentle, and is ideal for concert use. Combining a...

The work is a setting of a text by William McGonagall which provides a miniature tour of London, from London Bridge to the Tower, St Paul's, Trafalgar Square, and Petticoat Lane. Moods and impressions...

The slow and delicate setting of an anonymous medieval text for solo Soprano and SATB chorus, by Francis Pott. The piece includes full Organ accompaniment.

One of John Rutter's most popular carols, Star Carol is presented here in German translation. Orchestral accompaniments are available on sale and on hire/rental.

This spacious setting of King Henry VI's prayer 'Domine Jesu Christe' presents a seamless arch of music. The influence of the great Tudor composers is especially evident in the rich, long-breathed 'Am...

The setting of an early 15th century text, commissioned by the Choir Of St. John's College Cambridge for the Advent carol services, 2004. Written for SATB chorus, with a Keyboard accompaniment provide...

SATB and soprano solo, unaccompanied. This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich, and the float...

This Christmas miniature sets the popular Latin text rejoicing in the birth of the Saviour. A 'vivace' tempo marking and offset rhythms combine with Pott's uniquely striking harmonies and undulating p...

This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich, and the floating soprano line adds another dimensio...

Good Day, Sir Christemas ! se situe à mi-chemin entre une structure totalement homogène et une forme strophique. Le matériau mélodique et rythmique des premières pages n'est jamais loin, mais les alte...