Partitions Charles Villiers Stanford pour chœur mixte

Influenced by Felix Mendelssohn Bartholdy, the Irish composer Sir Charles Villiers Stanford (1852-1924) developed an English Romantic musical language of his own.This is noticeable especially in his t...

Chorpartitur - mit unterlegter Orgelstimme

Chorpartitur - mit Orgelbegleitung zu Probenzwecken - gemischter Chor

Chorpartitur - mit Orgelbegleitung zu Probenzwecken - gemischter Chor

Chorpartitur - mit Orgelbegleitung zu Probenzwecken - gemischter Chor

From the popular setting of the 'Morning Canticles in B Flat', Charles Villiers Stanford's Jubilate Deo In B Flat Op. 10 is for SATB Choir with Organ accompaniment. This freshly engraved edition incl...

Originally conceived as a funeral piece, this moving motet is full of elegant, unhurried lines, and pays final respect to the deceased. Originally published in AStanford Anthology.

Here is Sir Charles Villiers Stanford's famous meditative setting of a poem by Mary Elizabeth Coleridge. The editor has provided several options to make it more accessible to more choirs without losin...

Here is Sir Charles Villiers Stanford's famous meditative setting of a poem by Mary Elizabeth Coleridge. The editor has provided several options to make it more accessible to more choirs without losin...

The volume includes three partsongs to Elizabethan texts, Diaphenia, Corydin, Arise!, Shall we go Dance? and four partsongs to texts by Mary E. Coleridge, When Mary thro' the Garden Went, The Blue Bir...

For SATB unaccompanied. This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A re...

This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on...

Two of Stanford's finest partsongs for unaccompanied SATB voices.

The second of Stanford's Three English Motets Op. 135, this extended anthem boasts both impressive emotional range and textural ingenuity. Originally published in A Stanford Anthology.

A powerful commemoration motet for double choir with bold tonal and textural shifts, framed by outer sections in a deliberate archaic style. Originally published in AStanford Anthology.

Recueil de trois motets latins : "Justorum animae", "Coelos ascendit hodie" et "Beati quorum via". Publié à l'origine dans A Stanford Anthology.

A beautiful anthem that combines natural imagery with sensitive text-setting, creating a powerful sense of narrative. Originally published in AStanford Anthology.

Melodie: trad. aus Irland ('Paddy O'Snap'), bearbeitet von Thomas Moore; Satz: aus: Six Irish Folksongs, op. 78