Partitions Camille Saint-Saëns musique de chambre

Dans cet arrangement de la charmante pièce de Saint-Saens pour cor solo, le cor anglais est à l'honneur, avec l'accompagnement chantant des autres instrumentistes.

Composed when Camille Saint-Saens was only 22 years old, this Tarantella is an exciting dance in 6/8 time. Originally orchestrated for solo instruments with orchestra, this piece is most commonly perf...

aus Der Karneval der Tiere

Une version pour quintette à vent de la charmante et élégante pièce pour cor de Saint-Saëns. Le cor conserve la partie soliste originale tandis que les autres instrumentistes l'accompagnent en douceur...

Quatuor à vent en formation variable (cuivres, bois, également formation chorale mixte). Les deux pièces présentées ici, extraites de l''Oratorio de Noël', op. 12 (1858) de l'éminent romantique frança...

Originally commissioned for brass tentet without percussion by the virtuoso players of the London Symphony Orchestra Brass, this arrangement of nine movements of Saint-Saëns' masterpiece now has an o...

This classic work by Camille Saint-Saëns is a terrific addition to the baritonetuba quartet repertoire. With the entire ensemble sharing the thematic material throughout the three movements - The Elep...

This classic work by Camille Saint-Saëns is a terrific addition to the baritonetuba quartet repertoire. With the entire ensemble sharing the thematic material throughout the three movements - The Elep...

This classic work by Camille Saint-Saëns is a terrific addition to the brass quintet repertoire. With the entire ensemble sharing the thematic material throughout the three movements - The Elephant, T...

This classic work by Camille Saint-Saëns is a terrific addition to the brass quintet repertoire. With the entire ensemble sharing the thematic material throughout the three movements - The Elephant, T...

This Camille Saint-Saens transcription will definitely be a hit with grade 4 ensembles. Excellent for concert or contest programming, the energy and delightful contrast make them terrific choices for...

This standard horn solo has been cleverly adapted as a horn feature within a brass quintet. The horn line remains true to the original with the remainder of the ensemble covering the string parts. It...

Danse Macabre (Dance of Death) was inspired by a poem of Henri Cazalis: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his vi...

Cavatine (Op. 144) for Trombone and Piano was published in 1915. It is the only work for solo trombone that Saint-Saens wrote but it shows that he had a remarkable feel for the capabilities of the ins...

Adapted in 1988 by tubist Karl Kramer during his days with The Brass Ring, each member of the quintet is showcased in one of the five movements -- trumpet in March Of The Royal Lion, French horn in Sw...

aus 'Der Karneval der Tiere'

Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to prod...

L'ombre écrasante de Ludwig van Beethoven a fait hésiter de nombreux compositeurs ultérieurs à se lancer dans la composition de quatuors à cordes. Saint-Saëns n'a pas fait exception à la règle et n'a...

Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to prod...

L'ombre écrasante de Ludwig van Beethoven a fait hésiter de nombreux compositeurs ultérieurs à se lancer dans la composition de quatuors à cordes. Saint-Saëns n'a pas fait exception à la règle et n'a...

Le Psaume 137 « Super flumina Babylonis » également connu sous le nom de « Au bord des fleuves de Babylone » a été une source d’inspiration pour de nombreux compositeurs dont Camille Saint-Saëns. Il s...