Partitions Benjamin Britten pour chœur mixte

At the opening of Act II of the opera Gloriana, Queen Elizabeth I is on a state visit to the city of Norwich. After a formal address of welcome, she is entertained by a Masque. To these unaccompanied...

Words are taken from the Gradual of the Feast of St. Peter and St. Paul.

gemischter Chor und Klavier

Klavierauszug - gemischter Chor und Klavier

Benjamin Britten's Cantata Academica: Carmen Basiliense was composed and didicated to the university of Basle for the celebration of its 500th anniversary. The Latin text was compiled from the charter...

A shortened version of Purcell's Fairy Queen for concert performance devised by Peter Pears, with the words taken from an anonymous adaptation of A Midsummer Night's Dream. Edited and realized by Benj...

A lively setting using the popular I Saw Three Ships text. The choral writing depicts the fresh bracing sonorities of bells.

Anthem for unaccompanied SATB choir from Britten's dramatic cantata The Company of Heaven.

Britten's Jubilate is arranged for SATB choir and Organ accompaniment. Benjamin Britten's birthday (22nd November 1913, Lowestoft) falls on St. Cecilia's Day, a happy augury for the career of one of B...

This Venite, found among his unpublished works after Britten's death, was evidently composed at the same time as his Jubilate Deo in C major, written in 1961 at the request of H. R. H. The Duke Of Edi...

These two previously-unpublished Psalm settings were written while Benjamin Britten was studying at the Royal College of Music in London but, despite encouragement from Ireland, Vaughan Williams and H...

In E Flat - SATB Accompanied The lesser known of Britten's settings of Psalm 100. Jubilate Deo was intended as a companion piece to the Te Deum in C, and is an exuberant, joyful sing. The piece remain...

Britten's last opera, Death In Venice , is based on the short story by Thomas Mann. It follows the inner turmoil of the ageing novelist Gustav von Aschenbach, who becomes infatuated by a boy he sees o...

This work was composed for the twentieth anniversary of the United Nations and requires a large adult chorus of men and women, and a smaller children's choir placed separately with its own conductor a...