Partitions Benjamin Britten chœur

The Chorus Part to Benjamin Britten's The Golden Vanity for accompanied boy's voices.

A dramatic work of considerable substance, from which individual movements may be performed separately as anthems or concert works. The work sets a variety of texts from authors as varied as John Rusk...

Based on Benjamin Britten's opera A Midsummer Night's Dream,Op. 64, this 15-minute choral suite was arranged and adapted by Lee Kesselman, and he has remained true to Britten's original score, with so...

Vocal score to Benjamin Britten's The Golden Vanity for accompanied boy's voices.Instrumentation: 3 treble, 2 alto soloists, treble/alto chorus - pno - drum

Curlew River - A Parable for Church Performance (Op. 71) is the first of three Church Parables by Benjamin Britten. The work is based on the Japanese Noh play Sumidagawa (Sumida River) of Juro Motomas...

In this second Parable for church performance, Britten sustains the influence of the Noh tradition in Curlew River, while taking inspiration from the Biblical story Ananias, Azarias and Misael. It tel...

Of all the parables in the New Testament none has had quite such a universal and ever-renewed appeal as that of the Prodigal Son. With its unforgettable climax of reward and rejoicing being lavished n...

A ballad for children's voices and (largely) percussion orchestra setting a long narrative poem by Bertolt Brecht, telling the tragic story of a band of orphaned children lost in the snowy wastes of w...

Scored for solo voice, unison chorus and piano, The Twelve Apostles was written for Peter Pears and the London Boy Singers. The text was adopted from The Ten Commandments as given in 'English Folk Son...

Curlew River - A Parable for Church Performance (Op. 71) is the first of three Church Parables by Benjamin Britten. The work is based on the Japanese Noh play Sumidagawa (Sumida River) of Juro Motomas...

These Christmas carols have become contemporary classics. 'The serene Sweet was the Song' contrasts with a moving lament on the hardships of Christmas, 'A Wealdon Trio', and a memorable setting of Har...

Britten's last completed work, written for young people's chorus and orchestra, is in five short sections: March, Roundel and Canon for orchestra and choir, and Jig and Modulation for orchestra alone.

Britten's setting of Edith Sitwell's poem 'Praise We Great Men', was left unfinished at his death. It was being written for Mstislav Rostrpovich to include in his first season with the National Sympho...

Britten’s last opera, Death In Venice , is based on the short story by Thomas Mann. It follows the inner turmoil of the ageing novelist Gustav von Aschenbach, who becomes infatuated by a boy he...

This opera is the final section of the entertainment for young people called Let`s Make an Opera. The first section of this is in the form of a play and illustrates the preparation and rehearsal of an...