Partitions Barbershop pour chœur mixte

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB double choir unaccompanied. In this beautiful arrangement of Tallis' popular hymn, Chilcott expertly utilizes the flexibility of the SATB double choir. The piece will be enjoyed by church and...

For SSSATB unaccompanied or with guitar. This moving rendition of Pachelbel's Canon sets the 'Requiescat' from Oscar Wilde's 'Rosa Mystica' (1890). Chilcott displays his sensitivity as a vocal arrange...

For SATB unaccompanied or with guitar. This is an elegant and accessible SATB arrangement of the beautiful 'Con amores, la mi madre' by the Spanish Renaissance composer Juan de Anchieta. Underpinned b...

For SATB unaccompanied This vibrant setting of Isaiah 9:6 draws on the rhythms and textures of modern Nigerian art music. The predominantly homophonic texture is interspersed with solo lines, in a set...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. Forever Child is a suite of seven pieces on the theme of childhood. The work forms an excellent concert suite, or any of its movements may be extracted for separate performance...

For SATB (with divisions) unaccompanied. Setting of a text by St. Robert Bellarmine (1542-1621), a Hymn for Lauds on the feast of the Guardian Angels.

For SATB unaccompanied. This gentle setting of Sir Philip Sidney's poem has a beautiful, memorable tune which perfectly compliments the romantic nature of the words. Chilcott uses overlapping phrases...

For SATB with tenor solo unaccompanied. This is an atmospheric setting of an anonymous fifteenth-century text. The exquisite tenor solo at the opening and the calm intensity of the middle section atte...

For SATB unaccompanied. These beautiful motets provide inspiring new repertoire for choirs. Locus iste is rhythmic and uplifting; Ave Virgo sanctissima is a gentle setting of a Spanish antiphon, full...

Commissioned by the King's Singers in celebration of their 40th birthday, this work has unusual forces and a comparatively complex nature. Using two texts by Henry Vaughan and John Gillespie Magee, th...

For unaccompanied SATB chorus

For SATB unaccompanied. A powerful, dissonant setting of texts by Michelangelo, dealing with love, life and death. Powers was inspired by the idea that a block of marble contains the finished sculptur...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB chorus, unaccompanied. The text is a set of six poems by John Drinkwater (1882-1937). Drinkwater had close associations with Warwickshire and much of his poetry reveals his love of the countr...

This is a peaceful and positive setting of words by Elizabeth Jennings from the poem 'Assurance beyond midnight'. The magical images that Jennings conjures as she reflects on her life are perfectly ca...

This anthology of 9 mixed-voice anthems combines new material written specially for the collection with established favourites from the Oxford catalogue, some of which appear here for the first time w...

SSATB unaccompanied & SSAB soli Duration: 12 minutes Difficulty: Easy to Moderately difficult

for SATB unaccompanied

Two of Stanford's finest partsongs for unaccompanied SATB voices

A short, but eloquent setting of the eighth stanza of the hymn 'Pange lingua', and thus an effective Holy Week motet. For SATB unaccompanied Duration: 2 minutes Difficulty: Easy

For double SATB chorus unaccompanied This is Stanford's extended Latin setting of this text, written in 1918 and acknowledged as its composer's finest a cappella choral work. Duration: 12 minutes Diff...