Partitions Barbershop pour chœur mixte

The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published f...

Part-song for SATB A Cappella. Text: WB Yeats.

Composed in 1972 for SATB chorus unaccompanied. Piano accompaniment for rehearsal only.

Work for six solo Voices or unaccompanied Choir. First performed by The Purcell Consort of Voices in 1974. Text: St John of the Cross.

Still Falls the Rain' is perhaps Edith Sitwell's greatest poem. Maconchy set the poem for double choir, unaccompanied, with some antiphonal writing. The recurrence of the phrase 'still falls the rain'...

For unaccompanied double choir SSAATTBB.

Composed in 1985

John Tavener's 1986 setting of the Lord's Prayer for SATB choir unaccompanied. The piece is presented twice, with texts in English and Church Slavonic, and the structure is one of a bar-less rhythmic...

A work for unaccompanied SATTBB choir, constructed in the form of a Byzantine Canon. The work was commissioned by James Lancelot and the Choir of Durham Cathedral who gave the first performance on the...

Tavener's 1987 work for unaccompanied SATB choir. Includes piano accompaniment for rehearsal purposes. This is a special item which is made to order. Please e-mail our Mail Order Department for furthe...

These two pieces for unaccompanied SATB choir were commissioned by Stephen Cleobury and the Choir of King's College, Cambridge. They were first performed in King's College Chapel on the 4th April 1987...

Sea Runes is scored for unaccompanied choir AATBBB or SATBBB set to text by George Mackay Brown. It is a haunting and evocative setting of a group of six poems by the Orkney poet, George Mackay Brown...

A work for 13-part unaccompanied SATB choir, with words by William Blake and music by John Tavener. The Tyger was written for Philip Sherrard for his 65th birthday. It was composed in Katounia, Greec...

A piece for unaccompanied SATB choir, the text of which is based on a line from St. Matthew 9:9. The music was written to represent the work of St. Matthew. In three mounting steps, the music represen...

This work for unaccompanied double choir (SATBSATB) was commissioned by the Summer Music Society of Dorset. It was first performed in May 1989 at Sherborne Abbey, Dorset, by the Tallis Scholars conduc...

For SATB Choir A Cappella. Edited by Patrick Little.

This work for unaccompanied SATB choir was commissioned for the opening of the 1990 City of London Festival. The performance was given on the 8th of July by the Choir of St. Paul's Cathedral conducted...

A Cappella for 28 Voices. First performed by the BBC Singers.

This motet for unaccompanied SATB choir was commissioned for the 500th anniversary of King's College, Cambridge. This is a setting in Greek of an Orthodox prayer to Christ as Son and Word, God and Man...

A carol for unaccompanied SATB choir by John Tavener, with words by Mother Thelka. This work was first performed in December 1989 at Westminster Abbey, London, by the Choir of Westminster Abbey conduc...

A short work for unaccompanied SSAATBB choir using a poem based on Serefis' Eonia (The Jasmin). The text uses both English and Greek. This work was commissioned for the 27th Seminar on Contemporary Ch...

This work for unaccompanied SATB soli and choir was commissioned in the name of Sir Thomas Armstrong by the Musicians Benevolent Fund, for performance at the St. Cecilia's Day service in Westminster A...

Corpus Christi, With Cat And Mouse is a setting of fragments selected from the Richard Hill Commonplace Book, an early 16th century manuscript in the library of Balliol College, Oxford. Commissioned b...

For SATB Choir A Cappella. Text: Francis Thompson. Premiere: St Paul's Cathedral Choir under the direction of John Scott, July 1994.

This prayer is the foundation of Orthodox faith in the Holy Trinity. Says Tavener: 'In setting it to music, I have tried to capture something of the deep conjunction and repentance which lie at the he...