Partitions Barbershop pour chœur mixte

Cet arrangement a cappella pour chœur mixte réunit magnifiquement deux spirituals traditionnels bien-aimés, In Bright Mansions Above et Deep River. L'arrangement rend hommage à la richesse émotionnell...

For SATB Choir A Cappella.

Written for unaccompanied SATB choir. Words by James Kirkup. Dedicated to Frederic Jackson and the London Philharmonic Choir.

Five Epigrams arranged for unaccompanied SATB are set to Robert Burns' poems.

Antiphon for SATB Choir A Cappella. Suriano was a pupil of Palestrina and a served a period as Maestro di Cappella at the Mantuan court. This edition by H. B. Collins.

For SATB Choir A Cappella. Suitable for performance on Good Friday.

Giovanni Palestrina's Missa Brevis for four unaccompanied voices, has been edited and arranged for modern usage, by Henry Washington. This edition also contains a piano reduction for practice purposes...

A Motet for the feast of All Saints and for general use. For SATB Choir A Cappella. Edited by Henry Washington.

A setting of the Tract for the Blessing of the Font. Motet for SATB Choir A Cappella, edited by J. Steele.

Motet for SSATB Choir A Cappella. Edited by J. Steele.

Giuseppe Ottavio Pitoni (1657-1743) was an Italian organist and composer, and one of the leading figures in the late Baroque era. He wrote an extensive oeuvre of liturgical music, with over 200 motets...

For SSATB Choir A Cappella.

For SSATB Choir A Cappella. Dedicated to Colin Mawby and the Choir of Westminster Cathedral. Piano rehearsal reduction provided.

Italian singer and composer Gregorio Allegri is probably best known for his setting of Miserere Mei, Deus, for nine voices. Edited here by George Guest, it is a relativly simple yet pleasing and satis...

For unaccompanied chorus SSAATTBB. Text: Edmund Spenser. The Hill Of The Graces was commissioned by the BBC, and was first performed on 20th October 1975 as part of a concert given by the BBC singers...

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.

This is for soprano solo and unnaccompanied chorus. The words are by William Browne. It was written in 1974.

The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published f...

Set for unaccompanied chorus SATB, words by Eleanor Farjeon.

The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published f...

Composed in 1981, this work is a setting of a sequence from the Mass for the Feast of St Thomas, found in the missal of the Hereford use. The text is a conventional hymn of praise but it is distinguis...