Partitions Barbershop pour chœur mixte

The signature tune for the award-winning Swedish a cappella group Vocado, this is a poignant love song. This dual-language publication in the Voice Junction series is perfect for vocal groups and choi...

This paean to the divine creation of the world sets part of the Benedicite text from the US Book of Common Prayer. The four unaccompanied voice parts are used to great effect, with phrases often begin...

Using two texts by Henry Vaughan and John Gillespie Magee, the unusual forces and more complex nature of this work charts a journey from a free tempo reflective beginning to a rousing ending, celebrat...

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem; you'll find imitative passages, melodic and rhythmic motifs, sections requiring preci...

Setting a text by Walter de la Mare, this tuneful, rhythmic choral work is infused with Scandinavian style. The poem is accompanied by extensive use of scat, giving a modern twist to the forlorn senti...

Setting an original Latin text by the Venerable Bede intertwined with an English translation, this piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for A...

A piece made famous by the award-winning a cappella group Vocado, Coffee Time is an upbeat dedication to the down time we all crave, for sharing thoughts, silence, and that aroma!

John Rutter's tender and expressive arrangement of Silent Night is presented here in both English and German. In a fascinating note, Rutter outlines the history of this celebrated carol, and this edit...

Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death. The text is by Cardina...

With a newly written text by Angier Brock, this compelling anthem by Cecilia McDowall is a welcome addition to the traditional Easter repertoire. Easter Light explores a variety of styles and colours,...

The text for this piece is a response to Allen Ginsberg's A Supermarket in California by Latvian poet Kārlis Vērdiņš, translated by Ieva Lešinska. Jackson exploits its dramatic intent, giving space fo...

This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on...

A peaceful and uplifting meditation on death and the afterlife, with softly overlapping upper voices that weave a hypnotic texture over a gentle melody in the tenors and basses, to magical effect.

Inspired by A. E. Borthwick's painting of the same title, The Presence sets lines from Psalms 18, 27, 36, 112, and 119 mainly concerned with light. While suitable for services and concerts throughout...

The text for this part-song is a deftly chosen selection of lines from Keats' Ode to a Nightingale. Jackson's setting features many of his stylistic hallmarks: glissandi, melismas, aleatoric patterns,...

This Advent carol is based on words from John Donne's Holy Sonnets. McDowall creates a captivating atmosphere as the voices explore a mystical soundworld. The sensitive part-writing and accessible voc...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

For unaccompanied SATB.

For unaccompanied SATB.