Partitions Barbershop pour chœur mixte

Setting a fifteenth-century English text containing some short Latin passages, this is a joyful, dance-like carol with a medieval feel. The spirited, lilting melody begins in the sopranos and altos bu...

Originally published in Sun, Moon, Sea, and Stars, this piece sets a poem by Sara Teasdale that likens a heart seeking its love to a swallow's cry. Chydenius's rich harmonies, syncopated melodies, and...

This anthem was commissioned for the Enthronement of the 105th Archbishop of Canterbury, the Most Reverend and Right Honourable Justin Welby, and was first performed during the Enthronement ceremony a...

'Rigwreck' sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions in up to eight parts, a wide range of dynamic expression, spoken lin...

This is a simple and elegant miniature in characteristic Skempton style, with graceful choral homophony, seamlessly fluctuating time signatures, and hypnotic, meandering harmonies. The text, by Willia...

A piece made famous by the award-winning a cappella group Vocado, Coffee Time is an upbeat dedication to the down time we all crave, for sharing thoughts, silence, and that aroma!

O Sapientia is a tender setting of one of the seven Advent 'O' Antiphons. The rhythmic unison in this chorale-like setting brings an element of purity and calm, typical of Skempton's musical language.

Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.

Setting a stanza of Tennyson's monumental and profound poem In Memoriam A.H.H., Jackson's work deals with reflections on loss and grief.

Mo li hua (Jasmine) is a tri-language publication suitable for Chinese- or English-speaking choirs. A collection of arrangements of five well-known traditional Chinese songs depicting the simplicity a...

A challenging yet delicate anthem, with subtle key-signature changes, vocal divisions in up to eight parts, and alternating homophonic and polyphonic passages, the piece combines excerpts from the syn...

This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus', with its jubilant, melismatic motif; and the solemn 'Factus est', which features aleatoric sequences set against...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

This joyous, dance-like setting of Edward Lear's famous nonsense poem 'The Owl and the Pussy-cat' is taken from Rutter's Five Childhood Lyrics, a collection of unaccompanied pieces inspired by rhymes...

This paean to the divine creation of the world sets part of the Benedicite text from the US Book of Common Prayer. The four unaccompanied voice parts are used to great effect, with phrases often begin...

Jackson's Holy is the true light sets a text translated from the Salisbury Diurnal that emphasizes the solace of faith in times of conflict. The fluid changes in time and key signatures and effective...

Thou, my love, art fair' was written for The King's Singers and first performed by the group on St Valentine's Day 2015. Setting the William Baldwin poem, Christ to his spouse, this delightful song ma...

Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled 'Three Shakespeare Songs' and first performed by the BBC Singers. In total, six Shakespeare texts are used, and...

Setting part of a Eucharistic hymn text by Thomas Aquinas, this piece is suitable for liturgical or concert use. Flowing and expressive, it features homophonic sections, melismatic lines, and optional...

This monumental cantata for massed forces was commissioned by David Hill and The Bach Choir and premiered as part of the 2012 BBC Proms. Setting a specially commissioned text by Charles Bennett, Chilc...

This celebratory anthem for double choir is set to the words of the Roman lyric poet Horace. Jackson combines declamatory unison passages for full choir with more lyrical polyphonic phrases shared bet...

Commissioned by King's College, Cambridge for the 2015 Festival of Nine Lessons and Carols, this setting of a poem by George Szirtes on the subject of the flight to Bethlehem has rich and ethereal har...

The text for this arrangement of the second of William Walton's Two Pieces for Strings from Henry V' is based on the line 'Touch her soft mouth, and part' from Shakespreare's Henry V (Act 2, Scene 3)....

This reflective and affirmatory communion motet features fluid shifts between 3/4 and 4/4 time signatures and expressive melodic lines that are often underpinned by a drone.

This serene communion motet sets the last two verses of the Pangue Lingua and oscillates between 3/4 and 4/4 time signatures. The melodic lines are expressive and at times melismatic, and the divisi i...