Partitions Barbershop pour chœur mixte

Here is a lovely setting of the 19th century William Bartholomew text that reflects on the new life that is born in the midst of winter, turning darkness into light and doing just that through music,...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

Opening with a slow, unaccompanied statement of the refrain, this contemporary setting of the traditional spiritual then unfolds into a dramatic layering thematic treatment that is tremendously exciti...

Emerging composer Kelsey Hohnstein has produced a warm, deeply expressive setting of the Sara Teasdale poem with well-crafted vocal lines, interesting choral textures and a full dynamic range, making...

Emerging composer Kelsey Hohnstein has produced a warm, deeply expressive setting of the Sara Teasdale poem with well-crafted vocal lines, interesting choral textures and a full dynamic range, making...

This beautiful a cappella arrangement of the Phos Hilaron prayer of light is written by the current Executive Director of the American Choral Directors Association, Tim Sharp. The piece is especially...

This set of three anthems are written in Hebrew for SAB a cappella voices. Nick Strimple wrote them for a friend's memorial service. A Hebrew pronunciation guide is provided as well as English transla...

Seven variations on an old Ashkenazic folk song for children. Text by L. Kipnis. For SATB choir and solo voice a cappella, in Hebrew.

Text from Psalm 121. For SATTB A Cappella.

The Song of Songs ("Shir Hashirim") is considered one of the most touching and poetic texts in world literature. This captivating choral piece draws its profound spiritual power and timeless beauty fr...

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Lyrics by Steven Brown. 'You were just names to us, on a long journey, you were just names to us, on the troubling journey. ' For SATB a cappella, Rehearsal Keyboard.

Even When God Is Silent is a deeply moving choral masterpiece and the all-time bestseller from Transcontinental Music (Hal Leonard). The poignant text is based on a historic inscription discovered by...

The Alice Parker Choral Series. Text by Dunash ben Lavrat. To those who enlighten and those who enlightened, give abundant peace like the waters of a stream. For SATB a cappella. Rehearsal piano part...

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

Chanukah song. The Westminster Conservatory Youth Chorale Jewish Music Series. Based on the traditional folk song. For SATB a cappella, rehearsal piano part included.

The Westminster Conservatory Youth Chorale Jewish Music Series. For SATB a cappella, rehearsal piano part included.

The Westminster Conservatory Youth Chorale Jewish Music Series. For SATB a cappella, rehearsal piano part included.

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

The classic arranged for a fun SATB (a cappella)

A stunning melody by Smolover and choral arrangement by Kroll-Rosenbaum, set to a poem written by an anonymous author at Terezin concentration camp.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...