Partitions Barbershop pour chœur mixte

Pour ténor et soprano solo et SATB (avec divisions) sans accompagnement. La quasi berceuse de Thomas Hardy, The Oxen, s'ouvre sur une alternance entre un refrain en tutti et des vers solistes, avec un...

French's quasi-lullaby setting of Thomas Hardy's The Oxen opens by alternating between a tutti refrain and solo verses, with an atmospheric syllabic accompaniment, before building to a tutti final ver...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

The Unexpected Early Hour brims with energy as the vibrant melody passes between voices and the rocking crotchet-quaver movement drives the piece towards its climactic ending. Offprinted from Weihnach...

This joyful carol triumphantly proclaims the Christmas message and features changing metres and contrasting textures throughout. Offprinted from Weihnachts Carols for Choirs.

This lively carol retells the Christmas story, punctuated by the joyful refrain 'Verbum caro factum est'. Offprinted from Weihnachts Carols for Choirs.

This heartfelt setting of words by the composer begins with a pianissimo drone over which the sopranos introduce the expressive melody, rich with lush harmonies, moments of dynamic intensity, and an o...

Rutter's arrangement of this traditional German tune pairs a beautiful Latin text with accessible and compelling harmonies. Offprinted from Weihnachts Carols for Choirs.

Welt so alt is a melancholic setting of a text by Christina Rossetti. With a falling bassline, artful use of inverted and diminished chords, and a wordless soprano solo, this carol perfectly captures...

Cet hymne commémoratif émouvant associe la traduction anglaise par le compositeur du « In paradisum » du Requiem à une mélodie d'une grande beauté et à des harmonies d'une expressivité toute en douceu...

This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in Spanish translation. Offprined from 'Obras corales sacras de John Rutter'.

Offprined from 'Obras corales sacras de John Rutter', this is a profoundly beautiful setting of one of the earliest English prayers, from the Sarum Primer of 1514.

With 'Locus iste', renowned composer Tarik O'Regan offers a poignant and contemporary setting of the traditional church dedication text. Scored for unaccompanied mixed choir (SATB), this simple yet ex...

For SATB accompanied and unaccompanied. Fred Onovwerosuoke and the St. Louis African Chorus carefully selected the favourite, most requested songs from their workshops, while trying to represent a wid...

pour chœur SATB sans accompagnement, avec solistes soprano et ténor

Bring festive radiance to the holiday season with "Noel à 3 Voix", published by the prestigious Alphonse Leduc. This atmospheric choral work is masterfully scored for three-part mixed choir (SAB or ST...

French violinist and composer, Jean-Joseph Cassanéa de Mondonville (1711-1772) was a young contemporary of Rameau. De Mondonville was successful in his day, Dominues Regnavit being no exception. Best...

Immerse yourself in the monumental sound world of Hector Berlioz: with this choral score for "La Damnation de Faust" (Légende Dramatique en 4 Actes), the renowned publisher Alphonse Leduc delivers an...

This may be the most exciting Christmas sprirtual Jay Althouse has ever written. It opens with the basses asking, in a hushed, rhythmic melody, 'Who's that baby in a manger bed?' The text is classic s...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

This exciting original Christmas spiritual by Jay Althouse opens with the men stating the rhythmic theme, followed by the middle voices and finally the sopranos. The three verses include much repetiti...

Another brilliant Christmas spiritual from Jay Althouse. 'Run, run to Bethlehem. See the tiny baby lying in the hay. ' The melody practically sings itself, the steady, even rhythms drive the piece for...