Partitions Barbershop pour chœur de femmes

African percussion serves as a fantastic background to a cappella voices in a compelling new arrangement by Kirby Shaw. Awe-inspiring! Available for SATB, SAB and SSA a cappella. Optional percussion i...

When a choral publication becomes a hit, everyone wants to be able to sing it. Following in the footsteps of Rosephanye Powell's original a cappella setting comes this new treble voice edition. The Jo...

When a choral publication becomes a hit, everyone wants to be able to sing it. Following in the footsteps of Rosephanye Powell's original a cappella setting comes this new treble voice edition. The Jo...

From the Jean Ashworth Bartle Choral Series for treble voices: quality music for young singers. This beautiful canon was written for SAB. Bartle has moved the bass line up an octave for the second sop...

A lively Christmas favorite arranged by Carl Nygard, sure to be a hit!

This exciting new arrangement of the Adam classic is for treble voices and uses no accompaniment, a unique and original approach

Dennis Shrock edited this fifteenth century piece with words (in Latin) from the Song of Solomon for the Choral Tradition Series. It is fairly easy and makes for a good concert piece.

This loose paraphrase of Psalm 51 is a showcase for your women's group (with optional solos). Medium difficult, a cappella

Advanced piece for concert or worship, SSAA and a cappella

John Leavitt graces us with a new, more accessible edition of an early music classic. Jacob Arcadelt's early sacred music has a serenity and a purity of sound and mood that is enhanced in this arrange...

For Four-Part Chorus of Women's Voices (SSAA) arranged Johannes Brahms. Edited and English text by Maynard Klein.

pour SSA sans accompagnement

pour SSA et SSAA non accompagnées

This imaginative setting of Henry Wadsworth Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charism...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

Clemens composed two settings of the Marian text Ego flos campi, one scored for mixed choir of seven voices and this other, more intimate, setting for three voices. Here the voices weave beautiful cou...

Skilful word-painting and rhythmic energy makes this attractive Epiphany motet by Agostino Agazzari an appealing choice for Christmastide. Offprinted from The Oxford Book of Upper-Voice Polyphony.

This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).

No. 33 from 'Répertoire folklorique' (2-part chorus (equal voices))