Partitions Arvo Pärt pour chœur mixte

Arvo Pärt a écrit la prière de paix Da pacem Domine pour répondre à une commande de Jordi Savall. Il a commencé à composer cette antienne grégorienne du IXe siècle deux jours après les attentats de Ma...

Le Magnificat est l'une des oeuvres les plus sereines de Pärt, et est devenu à juste titre populaire auprès des choeurs du monde entier. La musique exprime parfaitement la joie exaltée et tendre de la...

Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also...

Commandée par la Louth Contempory Music Society, The Deer's Cry de Pärt a été créée en février 2008 à Louth, en Irlande, par le State Choir Latvija, sous la direction de Fergus Sheil. Basée sur une mi...

Il s'agit de l'interprétation musicale par Pärt des psaumes 117 et 131 en langue slave. 117 (116) O louez le Seigneur, toutes les nations : louez-le, tous les peuples. Car sa bonté est grande envers n...

Pärt's emotionally-charged Bogoróditse Djévo, is a vibrant tribute to the Virgin Mary which is sung in the traditional Orthodox Church Slavic language and alludes to traditional Orthodox compositional...

Inspired by his visit to Fátima, scene of a famous Marian Apparition in 1917, Arvo Pärt wrote a small choral piece based on a passage from Psalm 8. 3 'Out of the mouth of babes and sucklings thou hast...

The text of Dopo la Vittoria comes from the encyclopaedia A Historical Survey of Ecclesiastical Singers and Songs (author of the encyclopaedia: Archbishop Philaret, published in St. Petersburg in 1902...

Pärt's Solfeggio for mixed a cappella-choir - sung on the solmization syllables Do-Re-Mi-Fa-Sol-La-Si - was composed in 1963 and premiered in Tallinn (Estonia) by the Estonian Radio Choir (director: E...

When Arvo Pärt sets words to music, he gives the impression of having entered into the depths of his chosen text and returned to the surface with an entirely fresh impression of what it's all about. T...

In which Was the Son of... for mixed a cappella-choir Arvo Pärt uses the Genealogy of Jesus in accordance with the Gospel of Luke. (St Luke 3, 23 -28). While the Magnificat from Luke Chapter I - the S...

The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and p...

Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also...

It takes 75 minutes to relate the story of the Passion according to the Latin of St John's Gospel; Pärt uses solo singers for the roles of Pilate and Christ, and a group of four soloists (soprano, cou...

Pärt's composition appears functional, plain, without intellectual secret-mongering. It is built upon single intervals, triads and little rhythm games as well as upon medieval patterns. These Magnific...

Written for the 900th anniversary of the foundation of Norwich Cathedral in 1996, this setting from Chapter 15 of St John's Gospel shows Pärt at his most controlled. lnspired by the strength and simpl...

Chorpartitur - St Luke 7, 36-50

The Woman With the Alabaster Box and Tribute to Caesar were both commissioned for the 350th anniversary of the Karlstad Diocese in Sweden in 1997. Both are settings of texts from the Gospel according...

Tribute to Caesar and The Woman With the Alabaster Box were both commissioned for the 350th anniversary of the Karlstad Diocese in Sweden in 1997. Both are settings of texts from the Gospel according...