Partitions Antonio Vivaldi musique de chambre

For SATB Choir and Orchestra.

A relatively small number of Antonio Vivaldi's solo concerto's are those (3) written for ‘flautino', a ‘little flute' or high-pitched recorder that is the equivalent of today's piccolo. One of these c...

Parmi les concertos pour soliste d'Antonio Vivaldi, un nombre relativement restreint sont ceux (3) écrits pour "flautino", une "petite flûte" ou une flûte à bec aiguë qui est l'équivalent du piccolo d...

A relatively small number of Antonio Vivaldi's solo concerto's are those (3) written for ‘flautino', a ‘little flute' or high-pitched recorder that is the equivalent of today's piccolo. One of these c...

Parmi les concertos pour soliste d'Antonio Vivaldi, un nombre relativement restreint sont ceux (3) écrits pour "flautino", une "petite flûte" ou une flûte à bec aiguë qui est l'équivalent du piccolo d...

This work (originally for lute or mandolin and strings) is a great piece to feature a mixed woodwind ensemble. Melody is found in all voices and can be successfully performed by any combination of woo...

The Gloria by Antonio Vivaldi is truly a magnificent work. The Laudamus Te is a vocal duet arranged here for mixed woodwinds. This duet is typical of the music of the Vivaldi with imitative scale pass...

This work (originally for lute or mandolin) is great for a clarinet to take center stage. The solo part is not too difficult yet interesting for players to perform and the audience to listen to. This...

The Gloria by Antonio Vivaldi is truly a magnificent work. The Laudamus Te is a vocal duet arranged here for 2 flutes and 2 clarinets with duetting flutes and the clarinets accompanying. This duet is...

Vivaldi Concerto pour 2 trompettes Allegro - Largo - Allegro 1. trompette solo en si bémol 2. trompette solo en si bémol 1. flûte 2. flûte 1. Clarinette en si bémol 2. Clarinette en si bémol 3. Clarin...

This is a great lyrical solo for a member of the ensemble (either flute, oboe or clarinet). Pizzicato-like accompaniment is played under the soaring legato solo line. This is a great piece that can be...

This work (originally for lute or mandolin) is great for a wind quintet. The solo part is not too difficult yet interesting for players to perform and the audience to listen to.

A fairly common practice in the Baroque era was for organists (especially the great J.S. Bach) to 'borrow' and transcribe orchestral music from themselves or other composers to create spectacular orga...

Canadian Brass. Originally by Antonio Vivaldi, first arranged by Johann Sebastian Bach. This engaging work of the Baroque era is reinterpreted here for the modern brass quintet by David Baldwin.