Ouvertures pour orchestre

Problem solved. The problem has always been that Mr. Tchaikovsky wrote way too much music for many ensembles to prepare. Instead of 15 minutes, this version takes only six and a half minutes to perfor...

Problem solved. The problem has always been that Mr. Tchaikovsky wrote way too much music for many ensembles to prepare. Instead of 15 minutes, this version takes only six and a half minutes to perfor...

Problem solved. The problem has always been that Mr. Tchaikovsky wrote way too much music for many ensembles to prepare. Instead of 15 minutes, this version takes only six and a half minutes to perfor...

Problem solved. The problem has always been that Mr. Tchaikovsky wrote way too much music for many ensembles to prepare. Instead of 15 minutes, this version takes only six and a half minutes to perfor...

All the dark and passionate themes of this great work are maintained, yet this arrangement is perfect for intermediate orchestras. Even though the piece does not have a programmatic theme beyond that...

All the dark and passionate themes of this great work are maintained, yet this arrangement is perfect for intermediate orchestras. Even though the piece does not have a programmatic theme beyond that...

All the dark and passionate themes of this great work are maintained, yet this arrangement is perfect for intermediate orchestras. Even though the piece does not have a programmatic theme beyond that...

A lovely transcription, this reduction allows the advanced orchestra or community orchestra to experience Tchaikovsky's masterpiece in about half the duration of the original. A must for any library!

A lovely transcription, this reduction allows the advanced orchestra or community orchestra to experience Tchaikovsky's masterpiece in about half the duration of the original. A must for any library!

A lovely transcription, this reduction allows the advanced orchestra or community orchestra to experience Tchaikovsky's masterpiece in about half the duration of the original. A must for any library!

Combined with an introductory theme from the suite, the overture is among the most majestic Baroque music ever written. Perfectly set as a first full orchestra experience, the contrasting statements o...

Combined with an introductory theme from the suite, the overture is among the most majestic Baroque music ever written. Perfectly set as a first full orchestra experience, the contrasting statements o...

Tschaikowskis beliebte Programm-Ouvertüre 'Romeo und Julia' basiert auf William Shakespeares gleichnamigen Drama und war sein erstes Meisterwerk. Genießen Sie das fantasievolle Konzertstück in dieser...

Your students will have a field day filled with fun as they perform this exciting overture! Field Day, by Chris M. Bernotas, works perfectly for string orchestra alone or with added winds and percussi...

Vos élèves s'amuseront comme des fous lorsqu'ils interpréteront cette ouverture passionnante ! Field Day, de Chris M. Bernotas, fonctionne parfaitement pour un orchestre à cordes seul ou avec des vent...

Your students will have a field day filled with fun as they perform this exciting overture! Field Day, by Chris M. Bernotas, works perfectly for string orchestra alone or with added winds and percussi...

The essence and resonance of this timeless overture is perfectly preserved in Leidig's arrangement. Technical range is perfect for high school string or full orchestras. String parts are carefully edi...

The essence and resonance of this timeless overture is perfectly preserved in Leidig's arrangement. Technical range is perfect for high school string or full orchestras. String parts are carefully edi...

Vicente Basset was a violinist who worked in Madrid in the middle of 18th century. Around 1740-1750 he played the violin in the Real Orquesta del Coliseo del Buen Retiro during the royal celebrations...

Flöte, Oboe, Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Violine (2), Viola, Violoncello, Kontrabass

La musique de scène op. 84 a été composée en 1809 pour une représentation du drame "Egmont" de Goethe au Burgtheater de Vienne. De nombreux compositeurs de l'époque, dont certains en collaboration ave...

L'ouverture "Coriolan" de Beethoven a été composée en 1807 et l'on ne sait toujours pas si l'œuvre était à l'origine destinée à un concert ou à une scène de théâtre. L'œuvre a été créée au palais Lobk...

Urtext der Telemann-Ausgabe. Oboe (3), Fagott, Streicher, Basso continuo - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Oboe (2), Horn (2), Streicher - Partitur; Urtextausgabe

Urtext der Neuen Bach-Ausgabe. Orchester - Partitur; Urtextausgabe; Gesamtausgabe Orchesterwerke - Sinfonieorchester - Sinfonieorchester ohne Soloinstrumente.