Orchestre à cordes avec instrument solo

First performance on 11th August 2012 at the Cadogan Hall, London, by Susan Bickley (mezzo-soprano), Nicholas Daniel (cor anglais) and the Britten Sinfonia conducted by Clark Rundell, as part of the B...

Britten's Two Portraits for strings - the composer himself called them 'Sketches' - were composed in August and September 1930, during the summer holidays preceding the sixteen-year-old composer's fir...

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

Klavierauszug (zugleich Partitur)

Klavierauszug (zugleich Partitur)

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

Stimmensatz - 5 V I, 5 V II, 3 Va, 5 Vc/Kb - Viola und Streichorchester

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...

Though A.E. Brachvogel's portrayal of the failed genius' in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductiv...

Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...

Dirigierauszug

Stimmensatz - Hn-g I, Hn-g II, 4 V I, 4 Vn II, 2 Va, 4 Vc/Kb - Violine und Streichorchester; 2 Hörner ad lib.

Dirigierauszug

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.