Orchestre à cordes avec instrument solo

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Streicher-Ergänzungssatz

Stimmensatz - 5 Violinen I, 5 Violinen II, 5 Violoncelli/Kontrabässe

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

Ein dreisätziges Werk von einfachem Satzbau und klarer musikalischer Gestik. Als Anfangskonzert für das Studium der Sololiteratur geeignet, außerdem ein ansprechendes Repertoirewerk für Kammerorcheste...

Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...

Stimmensatz - 5 Violinen I, 5 Violinen II, 4 Violen, 3 Violoncelli, 2 Kontrabässe

Stimmensatz - je 1x Violine 1 bis 8, je 1x Viola 1 und 2, je 1x Violoncello 1 und 2, 1x Kontrabass

Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...

Stimmensatz - 5 V I, 5 V II, 3 Va, 4 Vc/Kb

Partitur = Cembalo

Dirigierpartitur