Œuvres instrumentales classiques pour Orchestre

Écrite à l'origine en 1908 comme une "petite suite" pour piano, CHILDREN'S CORNER a été dédiée à la fille de Claude Debussy (1862-1918), Claude-Emma : "À ma petite Chouchou bien-aimée, avec les tendre...

SIGURD JORSALFAR, OP. 22, a été composée par Edvard Grieg (1843-1907) pour une pièce de Bjørnstjerne Bjørnson en l'honneur du roi Sigurd I. Jouée pour la première fois à Christiania le 10 avril 1872,...

SIGURD JORSALFAR, OP. 22, a été composée par Edvard Grieg (1843-1907) pour une pièce de Bjørnstjerne Bjørnson en l'honneur du roi Sigurd I. Jouée pour la première fois à Christiania le 10 avril 1872,...

Antonín Dvorák (1841-1904) a composé deux séries de Danses slaves, chacune composée de huit numéros et espacée de huit ans. L'idée a été suggérée au compositeur par l'éditeur N. Simrock, à la suite de...

Antonín Dvorák (1841-1904) a composé deux séries de Danses slaves, chacune composée de huit numéros et espacée de huit ans. L'idée a été suggérée au compositeur par l'éditeur N. Simrock, à la suite de...

An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...

An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...

Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...

Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...

Antonín Dvorák (1841-1904) a composé deux séries de Danses slaves, chacune composée de huit numéros et espacée de huit ans. L'idée a été suggérée au compositeur par l'éditeur N. Simrock, à la suite de...

Antonín Dvorák (1841-1904) a composé deux séries de Danses slaves, chacune composée de huit numéros et espacée de huit ans. L'idée a été suggérée au compositeur par l'éditeur N. Simrock, à la suite de...

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conc...

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conc...

HOLOUBEK (LA COLOMBIE SAUVAGE), Op. 110/B. 198, est un poème pour orchestre composé par Antonín Dvorák (1841-1904) en 1896. Révisé en janvier de l'année suivante, il raconte l'histoire d'une femme qui...

HOLOUBEK (LA COLOMBIE SAUVAGE), Op. 110/B. 198, est un poème pour orchestre composé par Antonín Dvorák (1841-1904) en 1896. Révisé en janvier de l'année suivante, il raconte l'histoire d'une femme qui...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...

Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...

Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms' most popular works today, and they were the most profitable f...

The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on...

The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on...

The text to the well-known Christmas carol O Little Town of Bethlehem comes from an 1868 text written by Episcopal priest Phillips Brooks. It is popular in the United States, United Kingdom, Canada, a...

The text to the well-known Christmas carol O Little Town of Bethlehem comes from an 1868 text written by Episcopal priest Phillips Brooks. It is popular in the United States, United Kingdom, Canada, a...

The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonat...