Œuvres instrumentales classiques pour Orchestre

Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the "Suite französischer Tänze" with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

The suite from the cycle 'Plöner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is...

Stimmensatz - Oboe I; Oboe II; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester

Dans la veine populaire de Mannheim Steamroller, Overture to Joy donnera un coup de fouet énergique à tout concert de service ou d'orchestre ! Composée principalement en 7/8, cette version énergique d...

To commemorate the 60th Anniversary of the composition that started it all, we present Claude T. Smith's timeless classic masterfully arranged for orchestra! When the work was first performed in 1964,...

Dans la deuxième symphonie, Matthias Georg Kendlinger traite une partie essentielle de sa vie artistique, qui a été façonnée par plus de 20 ans de connaissance et d'appréciation de la culture ukrainie...

The 28-year-old Jon Lord, with no experience at all of writing for orchestra, composed this work in only three months in the lead-up to its premiere with the Royal Philharmonic Orchestra and Malcolm A...