Musique sacrée pour chœur mixte

Mixed choruses and chamber ensembles will frequently use and enjoy this collection of English madrigals, selected and edited by former King's Singer Philip Lawson. Selections include: Sweet Suffolk Ow...

Kane Bradley is a Junior and Senior high choral director and a relatively new composer on the scene. His De Profundis employs minimalism and contemporary harmonies that are quite compelling. He builds...

Memley has set this thoughtful 19th century Barnes' poem in a contemporary madrigal style. Pensive moments cadence on stunning chords, gentle dissonances provoke the listener's ears, woven together in...

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Here is a work with unusual clarity and sonority, perfect for a smaller ensemble or for madrigal singers. While written in simple four-part, this work still demands working with the details of this be...

Using driving recurring rhythms and themes sung in jubilant homophony, this song is perfect for high school and beyond and is well suited for festival use. A carefully crafted, lively selection for an...

The words of Justin Gung express God's love and power in assuring tenderness. Michael Graham's musical setting maintains the gentleness while enhancing a profound beauty as well. Soft expressions of p...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

A new setting of the Latin Ubi Caritas text. Sustained passages and nice homophonic writing allow for reflection of the text and exploration of tone and blend. A good teaching piece and a great additi...

Jesse Beulke is a relatively new name yet his writing deserves notice. Selected for the David Dickau Signature Series, this piece may bring him the appropriate attention. The text is quite traditional...

Who doesn't remember musical moments in their past, when singing became transcendent and the moment became a memory never to be forgotten? Henry Van Dyke's poem recalls that time and Matthew Emery, th...

Cantate Domino means sing a new song to the Lord, and this composition truly embodies its meaning. Beginning in 7/8, the opening motif is a short statement in Latin, then English, that establishes the...

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...