Musique sacrée pour chœur mixte

Brian Tate is a master at creating a new song that sounds seasoned in time. Equally amazing is how natural the vocal parts are - almost singing themselves. Gather at the River reminds us of a hymn but...

Two Little Pieces on Text by Dr. Watts reprend deux des hymnes les moins connus d'Isaac Watts, Come Dearest Lord, Descend and Dwell, et My God, How Endless Is Thy Love, pour chœur SATB sans accompagne...

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...

Alive with a good-natured gospel flair, this a cappella sizzler will awaken everyone to the joy of Easter. Arranged for success, the piece practically sings itself. The catchy theme is decorated with...

Alive with a good-natured gospel flair, this a cappella sizzler will awaken everyone to the joy of Easter. Arranged for success, the piece practically sings itself. The catchy theme is decorated with...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

Eglin has set The Lord's Prayer to music using a modern madrigal style. Tender suspensions and beguiling harmonies add a profound depth to this familiar prayer, written in Latin. Excellent for church...

Eglin has set The Lord's Prayer to music using a modern madrigal style. Tender suspensions and beguiling harmonies add a profound depth to this familiar prayer, written in Latin. Excellent for church...

Dr. Cristian Grases of USC is a native of Argentina. He is the editor of a new series with Gentry called The Choral Music of Latin America and the Caribbean, and it is proving to be a delightful colle...

Robert H. Young, perhaps the father of the 20th century American madrigal, brings us a romantic setting of Cherry Ripe. An ancient text unfolds into Young's caring touch with sonorous sounds that care...

Robert H. Young, perhaps the father of the 20th century American madrigal, brings us a romantic setting of Cherry Ripe. An ancient text unfolds into Young's caring touch with sonorous sounds that care...