Musique sacrée pour chœur mixte

An impressive setting of the Gradual for Maundy Thursday, dating from 1884, the period of the Seventh Symphony and the Te Deum.

My prayer is a technical 'tour de force', meticulously sculpted from the distilled essence of Purcell's original and yet always recognizably Chilcott. The music is involved, passionate, and frequently...

This expressive anthem-style setting would be the perfect choice for any dedication festival. A lilting triple time pulse and rich harmonies combine to make music of effortless beauty whilst remaining...

For unaccompanied SATB double choir. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-s...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SSAATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and...

This is a majestic anthem for SATB unaccompanied and suitable for a wide variety of occasions. The piece begins with an insistent, syncopated rhythm in the tenors and basses and is followed by a vigor...

for SATB unaccompanied

An edition for ATTBB unaccompanied

for unaccompanied SATB

for SATB unaccompanied

The definitive collection of 100 anthems, mostly for SATB voices, from Tudor times to the present day, including favourites from each period, and lesser-known pieces. Keyboard reductions are included...

For SATB unaccompanied. A simple and effective anthem for Pentecost, based on the hymn tune Down Ampney by Vaughan Williams.

A series presenting sacred Jewish choral music in new modern editions. for SSAATTBB unaccompanied. This prayer briefly recounts the miraculous story of Chanukah as told in the first book of Maccabeus....

For unaccompanied SATB to words by Thomas Campion. This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effect...