Musique sacrée pour chœur mixte

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

Composed in 1997, Lauridsen's 'Ave Maria' is a texturally rich, eight-part setting of the most loved of Marian antiphons. This treatment recalls the sumptious polychoral music of Gabrieli as well as t...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

It is conceived in grand and declamatory style, owing a respectful debt to the great motets of Bruckner. Formed in A-B-A structure, it uses block harmony in the outer sections for impact, whilst the c...

Zadok Rules---Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II, June 2013. Inspired by the works of G. F. Handel, t...

Commissioned by the Tallis Scholars, The Lamentations of Jeremiah is a prime example of Martin's exemplary choral writing. Combining complex harmonies and intricate, antiphonal rhythms Martin has crea...

Commissioned by the Musicians Benevolent Fund in the name of Sir Thomas Armstrong this work was first performed at Westminster Cathedral on 24 November 1999 by the Choirs of Westminster & St Paul's Ca...

This reflective anthem is especially suitable for the Feast of All Saints but may be used throughout the liturgical year. The setting is still, gentle and atmospheric, combining a simple melody with m...

The Mass Of St Dominic was written in 2013 at the request of the Spode Music week for the 60th anniversary of their summer course. It is a setting in English of the new translation of the Mass and is...

When David Heard was written as a memorial to the victims of the 2011 terrorist attacks in Oslo and Utoya. It sets the well-known and intense passage from 2 Samuel and intersperses it with a verse fro...

Romance of the Epiphany . Scored for mixed voices, this vibrant carol may be accompanied either by organ or piano and double bass. Goodall sets joyful Spanish words by Jose de Valdivielso to a wonderf...

This powerful work takes a well-known hymn tune from the Mainz Gesangbuch of 1661 (Stabat Mater) as its musical starting point, interweaving it through different textures and variations alongside the...

This piece is a reticent carol and weaves a complex web of counterpoint within both the vocal lines and organ part, distilling into a stark treble solo as the text turns to English. An ideal work to h...

This setting of 'O lux beata Trinitas' (ascribed to St Ambrose) weaves together a range of vocal styles and textures to build gradually from the quietly pensive opening section to a rousing unison dec...

Invocation to the Holy Spirit is a short and simple work, dedicated to the memory of David Trendell. It sets two Latin texts concerning baptism and the Holy Spirit. It is an ideal piece for confirmati...

Veteran arranger Jan Sanborn has taken this famous Lenten hymn and delicately added some 20th century flavors. The respect for the original authors and arrangers is apparent as Jan maintains careful v...

Patsy Ford Simms is known for her spiritual arrangements and middle school music. This sacred selection maintains her 'spiritual' character and provides a wonderful and simple a cappella piece for chu...

Dr. Dickau's works have already become festival favorites, and this one follows right in step. Provided both in Latin and English versions, this classic text is given a fresh face in contemporary chor...

This song of joy and praise has been carefully edited for optimum performance by John Tebay. This exuberant Renaissance piece comes to life with its modern day key placement and notation. Perfect for...

This is beautifully crafted piece with an expressive melody, enticing harmonies and a meaningful text. Originally written as an accompanied piece for high school graduation, an a cappella setting was...

This is a beautiful piece in melody and form, but what stands out even more is how composer Kevin Memley has used the voice to orchestrate the piece. Programmatic effects are tastefully incorporated i...

Although the words come from Ecclesiastes, the message and music will fit any concert program. Reminding youth to be wise through their maturing years, this piece breaks into a delightful na-nana sect...

Although the words come from Ecclesiastes, the message and music will fit any concert program. Reminding youth to be wise through their maturing years, this piece breaks into a delightful na-nana sect...

Here is the traditional spiritual freshened up with zest and spice. The choir adds its own percussion through a clapping section that further energizes the piece.

Here is the traditional spiritual freshened up with zest and spice. The choir adds its own percussion through a clapping section that further energizes the piece.